Kingdom of HeavenWhy Ridley Scott's Story Of The Crusades Struck Such A Chord In A Lebanese CinemaJune 20, 2005
Long live Ridley Scott. I never thought I'd say this. Gladiator had a screenplay that might have come from the Boy's Own Paper. Black Hawk Down showed the Arabs of Somalia as generically violent animals. But when I left the cinema after seeing Scott's extraordinary sand-and-sandals epic on the Crusades, Kingdom of Heaven, I was deeply moved - not so much by the film, but by the Muslim audience among whom I watched it in Beirut.
I know what the critics have said. The screenplay isn't up for much and Orlando Bloom, playing the loss-of- faith crusader Balian of Ibelin, does indeed look - as The Independent cruelly observed - like a backpacker touring the Middle East in a gap year.
But there is an integrity about its portrayal of the Crusades which, while fitting neatly into our contemporary view of the Middle East -
the moderate crusaders are overtaken by crazed neo-conservative barons while Saladin is taunted by a dangerously al- Qa'ida-like warrior - treats the Muslims as men of honour who can show generosity as well as ruthlessness to their enemies.
It was certainly a revelation to sit through Kingdom of Heaven not in London or New York but in Beirut, in the Middle East itself, among Muslims - most of them in their 20s - who were watching historical events that took place only a couple of hundred miles from us. How would the audience react when the Knights Templars went on their orgy of rape and head-chopping among the innocent Muslim villagers of the Holy Land, when they advanced, covered in gore, to murder Saladin's beautiful, chadored sister? I must admit, I held my breath a few times.
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