by Sibel Edmonds & Bill Weaver
A wag once famously said that Samuel Beckett’s Waiting for Godot was a play where nothing happened . . . twice. The two former co-chairmen of the 9-11 commission report, Thomas Kean and Lee Hamilton, have released a new book, "Without Precedent: The Inside Story of the 9-11 Commission." This book goes Beckett one better – it is the third act of veneer over substance, self-aggrandizement over serious analysis, and cliché over perspicacity. It is another calculated attempt by the former commissioners to place themselves in the media spotlight, and to overcome the humiliation of their widely criticized and mostly debunked report. It is a vapid and substanceless attempt to claim moral high ground and present the co-chairmen as heroes of honesty. It would be a farce, except that it has no story line, save the aggrandizement of the authors. At least they are consistent in doing nothing and proclaiming that to be a sign of their devotion to the country and the government. Beckett once said that “habit is the ballast that chains the dog to its vomit,” and by this measure the chain restraining Kean and Hamilton is a short one indeed.
As you recall, Act One, “The Dirty Ten Digging on 9/11,” consisted of extraordinary performances by every single member of the commission to convince us, the audience -- the gullible public -- of commission independence, and its intent to provide our nation with the truth, nothing but the whole truth; their pledge to hold the ‘culprits’ accountable, no matter how high or low on the ladder of the bureaucracy; their commitment to provide “meaningful fixes and remedies,” regardless of any resistance they may have to face.
During Act Two, the commissioners, led by their stars, Kean and Hamilton, put on the performance of their lives. They delivered a document that promised to be more than the mere sum of mortal intelligence; they promised a report that drew on the nation’s soul and would lay bare the necessity and nature of change.
Initially, this play, scripted by the very powers the commission was to investigate, was to have only two acts. However, due to gradually increasing critiques by some in the media, even some of those who originally attended the serenade chorus, and fairly loud boos from some of the previously cheering audience, the producers have now decided to add additional act(s). Act Three, the Finger-Pointing and Blame Game, stars Kean and Hamilton as two comrades holding hands during the act and directing blame at the other eight commission members, who are now cast as traitors and deceivers. The audience is led to assume that the other eight members were responsible for the now untenable report; decided to pursue practical failure but achieve popular success; traded the public welfare for personal gain.
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http://www.commondreams.org/views06/0905-25.htm