ABC's docudrama "The Path to 9/11" is a false version of history. It popularizes right-wing myths by exaggerating Clinton's failures and Bush's successes, depicting events that never happened.
By Joe Conason
Sep. 08, 2006 | It would be uplifting to believe, as the producers of ABC's "The Path to 9/11" have claimed, that the network spent $40 million on its anniversary docudrama to educate the American people and improve the nation's defenses. And it would be reassuring to believe, as the producers have insisted in recent days, that "our ambitions and our goals and our standards were all about accuracy." But it is impossible to believe, after viewing their somewhat cheesy, sometimes incomprehensible and severely distorted version of the events leading up to the attacks of Sept. 11, 2001, that they acted in good faith on either of those motivations.
Whether "The Path to 9/11" succeeds in cinematic terms will be judged by professional critics, who may or may not find the performances convincing, the script compelling, the visuals effective and the direction competent. Certainly the movie benefits from the presence of actors such as Harvey Keitel, who plays legendary FBI agent John O'Neill, and from location shooting in Morocco, New York and Washington, but these filmmakers are not about to displace Bernardo Bertolucci, Richard Attenborough or even Oliver Stone.
(snip)
Clarke has said that the Clinton administration didn't fully comprehend the threat from al-Qaida until the U.S. Embassy bombings in Africa in 1998. (Neither did Clinton's critics.) And it is also true that Clinton didn't mount a full-scale assault on the al-Qaida camps in Afghanistan, as Clarke advised, but that decision, regrettable as it now seems, was influenced by broad geopolitical considerations. And Bush declined that option as well, until after the 9/11 attacks.
If the producers of "The Path to 9/11" unfairly indict the Clinton administration with fabricated scenes and notions, they go out of their way to exonerate the Bush White House by ignoring certain damning facts -- and creating substitutes that make the president look better. The movie shows a smarmy, condescending Condoleezza Rice demoting Clarke in January 2001 when she takes over as national security advisor. Clarke tries to warn her that "something spectacular" is going to happen on American soil, and she assures him that "we're on it," which they assuredly were not.
more…
http://salon.com/opinion/conason/2006/09/08/path_to_9_11/