Guernica after the bombing.
---
Motivation of the attack
The Condor Legion was assigned aerial missions throughout Spain, as Nazi Germany's prime contribution to Francisco Franco's forces. It would appear that the motivation of this particular attack was simply to terrorize the civilian population and to demoralize the Republican side.
Franco and Hitler.
Basque books burned after the advance of Francoist troops.For the Luftwaffe, the bombardment was a test of what it would take to completely destroy a city. In a sense Guernica was an experiment that would come to fruition in the Blitzkriegs of World War II. At the Nuremberg Trials, the then-marshall of the Luftwaffe, Hermann Göring declared: "The Spanish Civil War gave me an opportunity to put my young air force to the test, and a means for my men to gain experience."
---
Consequences of the attack
Italian troops entering destroyed Guernica.The attacks created a firestorm and destroyed nearly the entire town. Three quarters of the city's buildings were completely destroyed, and most others were damaged. Among the few buildings spared were the arms factories of Unceta and Company and Talleres de Guernica and the Assembly House (Casa de Juntas) and the Oak. The bridge, the overt target of the early Italian attack, survived.
There are no generally accepted official figures as to the number of casualties. Estimates range from as few as 120 dead to as many as 10,000, with the consensus standing close to the 1,650 that the Basque government of the time gave as the miniumum number of dead. The dead appear to have been mostly old people, women, and children.
A question about the Guernica 'tapestry' at th UN was asked on another thread:
I believe that the original painting was returned to Spain(Barcelona?) and in its place, a facsimile was hung.
I'm curious about the tapestry reference, as well. It must be a woven image? That is fascinating.
It could be that they felt a painted reproduction would've been an insult to the original, and another medium more of an homage?
---Wikipedia
Guernica at the United Nations
A tapestry copy of Picasso's Guernica is displayed on the wall of the United Nations building in New York City, at the entrance to the Security Council room. It was placed there as a reminder of the horrors of war. On January 27, 2003, a large blue curtain was placed to cover this work, so that it would not be visible in the background when Colin Powell and John Negroponte gave press conferences at the United Nations. On the following day, it was claimed that the curtain was placed there at the request of television news crews, who had complained that the wild lines and screaming figures made for a bad backdrop, and that a horse's hindquarters appeared just above the faces of any speakers. Diplomats, however, told journalists that the Bush Administration leaned on UN officials to cover the tapestry, rather than have it in the background while Powell or other U.S. diplomats argued for war on Iraq.
(Seems they felt the need to lie about even this.)