The first thing that one notices about the portrait of President and Laura Bush in the January issue of Vogue is its informality. The photograph was taken in the Oval Office by Annie Leibovitz and shows the president in his shirt sleeves. To be sure, his shirt has French cuffs and he is wearing a tie -- a blue one. But he has removed his suit jacket.
While it is always somewhat risky to read meaning into a facial expression, it would not be too much of a stretch to say that the president looks amused and mischievous, as if he is about to tell a tried-and-true joke. He is pushed away from his desk and is leaning back in his office chair. The president is some distance from his desk to accommodate the first lady, who happens to be perched on it. She is dressed in a grayish-blue suit by Carolina Herrera and is, as usual, wearing a restrained, inscrutable smile.
Vogue has been photographing first ladies since Mamie Eisenhower. The only exception has been Jackie Kennedy, who requested a sketch instead of a photo. And only Hillary Clinton, as first lady, has made the cover of the magazine.
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But it's the portrait taken in the Oval Office that is most striking: such informality in a White House that prides itself on its spit-and-polish facade. Only days after Bush's first inauguration, he made a big to-do of announcing that he was bringing rigor and formality back to the White House. He banished jeans from the Oval Office. No more business casual. Bush was drawing a visual distinction between his administration and that of President Clinton, which was known for no small amount of jeans-wearing. The formal attire would signify a White House that was efficient, prompt and not riddled with leaks and scandals.
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http://www.washingtonpost.com/wp-dyn/articles/A53450-2004Dec9.html