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Edited on Sat Aug-23-03 04:33 AM by AP
They're very critical of tradition and, interestingly, all the full/pure-blooded witches are evil, and the good people are mixed-blood, and Scottish. (And this is just one example of dozens and dozens.) These books are so anti-fascist, it isn't even funny.
Rowlings, who wrote these books as a single parent on welfare, is definitely creating a new tradition which is far more liberal than the traditions Britain has been brought up on for centuries.
AS Byatt wrote a scathing review of JK Rowlings's books, and it was idiotic and pretentious. Byatt's books are the opposite of Harry Potter (and Rowlings is probably mostly jealous that her more conservative version of English society doesn't make as much money as Rowlings's liberal representation of British culture.) Look at what Byatt writes about. Look at Possession -- a book which I enjoyed, for the most part, and which was turned into a competent movie, directed by an American, with an American grad student replacing the character of a British grad student. For Byatt, the greatest thing in the world is for her heroine to be related to not one, but two famous centuries-old English poets. She's a full blood!
Byatt's last book is a biography. It's about how her family was really rich once, but lost the sugar factory, and how poverty was really devestating for her family, so Byatt ended up having to teach literature for a living, which she then turned into cultural and monetary capital, by writing well-selling books about high-culture. And her fictional books reflect that same obsession with class that her biography (unconsciously?) reveals.
In Byatt's criticism of Rowling, she said, basically, that something that sells that well, can't be relevant culture. What Byatt is saying, really, is that she wishes that literature were not democratic. She wants literature to be something for the elite, that is inaccessible, and that makes her and nobody else lots of money.
I'm surprised that more people here don't see that Rowlings is quite liberal. And I highly doubt that she's a liberterian. The woman was on welfare, and she probably understands that that social safety net which allowed her to take a chance and write some of the best books in modern world culture is best provided out of progressive income tax.
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