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and that people are struggling to marry a coherency in their lives and bodies and children and money and society, but the LAST thing that we need is for repressive, oppressive and regressive social institutions that have NOT worked, in the past, to make a return to create and handy-dandy, easy-to-digest narrative for life and culture.
I am a writer -- a poet -- and most of my material comes from picking up and re-framing the tidbits of the aftermath of modern and classical philosophies, their constructs and their effect on everything from the human psyche to the body to economic systems. I mean -- that's pretty much what any poet writes about, right? Usually most contemporary, innovative poetries can be narrowed down to something roughly representing critical theorization -- however convoluted the "message" may be. To read contemporary poetry, you almost have to understand philosophy and narrative, and be able to work with shifting or contextual epistemologies.
No matter what the conservatives try to string together to create an all-encompassing, cohesive "narrative," the only truth always prevails -- that their determinism is merely an elaborate fantasy, created to keep them from putting a handgun in their mouth. Why do you think so many artists kill themselves? It's because they have no such filter -- or any capacity to create one that sticks.
For people who complain that the "liberal solution" will never work, because of "human nature," they've certainly got a long list of social engineering that they'd like to try. Maybe some more Amy Grant for the masses, and teenaged pregnancy will disappear. Funny -- the girl who introduced me to Amy Grant, in high school -- the eldest daughter in a family that attended the Free Methodist church, which is associated with a college that won't let the students dance or play cards, and keeps the down from opening any bars, got knocked up, un-wed at 19 while attending Taylor University -- a CHRISTIAN college. And what about priests and little boys? Do I need to say any more?
Child molesting gets critical acclaim, because it's a REAL story, as opposed to recycled narrative bullshit that is fodder for dull minds.
When people have a filter, you get "art" like Thomas Kinkade and Pat Boone. It's a shame, but necessary for capitalism, I suppose, for people to be fed the same, tired constructs again -- the same tired narratives -- rising action, climax, denoument, and always, always "inspirational."
I thank a god that I don't believe in, every single day that no matter how miserable and hopeless that it can get, I'm not walking around with a piece of gravy bread in my brain, though. That's for damn sure.
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