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Buffy, Veronica Mars, Without a Trace, MASH, Simpsons, All in the Family: there have always been shows that make arguments about progressive values (relating to class, race, gender, war).
And there have always been films that push conservative values: Gone With The Wind, plenty of John Wayne and Clint Eastwood movies, and even X-Men, which is very good on race and class, has a strange argument about gender.
Anyway, a lot of the TV broadcaters are owned by the same companies producing the films, so it makes it even hard to argue that different factions guide their agendas.
I really think the tug-of-war in broadcasting and film production is between producing stuff that is not too critical of a culture of consumption, but also giving people product they're willing to watch.
So, Veronica Mars really taps into a lot of anxieties young people must feel about the polarization of wealth and the disappearance of the middle class. The show talks about things conservatives would like to cover up (class differences) because UPN knows that by talking about them, they're talking about things kids actually experience today, and that's going to get them to watch.
However, you're probably never going to see a Holywood studio or TV broadcaster make something like The Revolution Will Not Be Televised, which really gets to the heart of the sort of neoliberalism the big media companies are counting on for their future profits. That would be too much of bighting the hand that feeds. OK, Michael Moore gets to do it, but he's making movies that profit 200 mil on 10 mil investments. Money like that will always create at least ONE exception to the rule.
(X-Men, by the way, is, I think probably a work where the creators were given a lot of leeway to say what they wanted to say, and therefore it is a very good commentary on fascism (because that's what the comic books were criticising) but, because the movie is probably made by boys, ended up being bad on gender).
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