Catholic dissent over mystery of the pregnant Madonnas
Italian author claims paintings are linked to suppression of Knights Templar
John Hooper in Rome
Saturday July 23, 2005
The Guardian
An Italian author has stirred controversy within the Roman Catholic church with a new theory linking one of the most intriguing traditions in western art to the suppression of the enigmatic Knights Templar.
A string of artists working from the middle of the 14th century near Florence painted the Virgin Mary as they imagined her to have been while she was pregnant. The best-known of these swelling Madonnas is by the great 15th century Tuscan artist Piero della Francesca. It shows an apparently dejected mother-to-be with one hand resting on the burgeoning front of her maternity gown.
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Pope Clement V ordered its dissolution after a campaign to discredit the order which saw bogus confessions extracted by the use of often ferocious torture. Two years after the pope issued his decree, the last grand master of the Knights Templar was burned at the stake on an island in the Seine in front of Nôtre Dame cathedral.
Controversy still rages over what secret knowledge, if any, the surviving Templars and their lay associates preserved. The question surfaced most recently in Dan Brown's best-selling novel The Da Vinci Code, where it is held to be evidence that Jesus and Mary Magdalene had children whose descendants have survived to the present.
If that theory is to be believed, then Mr Manetti's interpretation raises the issue of which Mary is being depicted by the creators of the pregnant Madonnas. Mr Manetti, a practising Catholic, dismisses The Da Vinci Code as "based on a complete misunderstanding" of early Christian writings.
http://www.guardian.co.uk/arts/news/story/0,11711,1534682,00.html