"The Sunday yap circuses will be spewing that BUSH’s New Orleans reconstruction plan is FDR-LBJ-ish."
The only person I heard who compared that pathetic speech to LBJ was Tweety. I suggest you don't give them any more ammunition.
Please read this:
http://www.nytimes.com/2005/09/17/opinion/17dowd.htmlsnip
On Thursday night, Mr. Bush wanted to appear casually in charge as he waged his own Battle of New Orleans in Jackson Square. Instead, he looked as if he'd been dropped off by his folks in front of a eerie, blue-hued castle at Disney World. (Must be Sleeping Beauty's Castle, given the somnambulant pace of W.'s response to Katrina.)
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Fred R. Conrad/The New York Times
More Columns by Maureen Dowd All Andrew Jackson's horses, and all the Boy King's men could not put Humpty Dumpty together again. His gladiatorial walk across the darkened greensward, past a St. Louis Cathedral bathed in moon glow from White House klieg lights, just seemed to intensify the sense of an isolated, out-of-touch president clinging to hollow symbols as his disastrous disaster agency continues to flail.
In a ruined city - still largely without power, stinking with piles of garbage and still 40 percent submerged; where people are foraging in the miasma and muck for food, corpses and the sentimental detritus of their lives; and where unbearably sad stories continue to spill out about hordes of evacuees who lost their homes and patients who died in hospitals without either electricity or rescuers - isn't it rather tasteless, not to mention a waste of energy, to haul in White House generators just to give the president a burnished skin tone and a prettified background?
The slick White House TV production team was trying to salvage W.'s "High Noon" snap with some snazzy Hollywood-style lighting - the same Reaganesque stagecraft they had provided when W. made a prime-time television address from Ellis Island on the first anniversary of the 9/11 attacks. On that occasion, Scott Sforza, a former ABC producer, and Bob DeServi, a former NBC cameraman and a lighting expert, rented three barges of giant Musco lights, the kind used for "Monday Night Football" and Rolling Stones concerts, floated them across New York Harbor and illuminated the Statue of Liberty as a backdrop for Mr. Bush.
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