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He was great on SOME stuff, like "Rubber Shirt," "Torture," and "The Ocean is the Ultimate Solution," but Frank always complained that you had to have someone counting for Terry or he'd lose his place. You see this in the "Baby Snakes" version of "Broken Hearts are for Assholes" where he comes in to too early on a series of "ram it"s after executing some unnecessary frill and coming off rhythm. Plus the sound of his drums appalls me. Listen to "In New York:" WHY would a drummer WANT his drums to sound like that? Loose heads, weak kick, etc.
The video is, of course, the "Token of My Extreme,...." that's the one I'm talking about. I can't wait for the DVD.
Apparently everytime any rock band came through Italy in the late 70's/early 80's they were met with a riot. Lou Reed, Patti Smith, Zappa.....
I was just listening to "The Helsinki Concert" the other day and was struck by the fact that Frank's the only guitarist on it; I hadn't noticed what an effective rhythm guitarist he was, on top of being a bandleader, lead guitarist, conductor, writer, etc.
"The Helsinki Concert" is also notable for the fact that Frank plays solos over a few modulated harmonic backgrounds, something he rarely did in later years ("Alien Orifice" being one exception); ususally he liked the band to stay on one chord while he mangled his axe on top of it all.
But, oh god, the 76-78 bands...yuck. Still some moments, but definitely not the greatness the 79 Ike/Mann/Coliauta lineups were capable of, or the preceding years. And the obsession with gay sex during those years can get a bit tiresome, even to this rabid Zappaphile's ear.
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