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get into the same price range as film SLRs.
Many D-SLRs that are consumer or pro-sumer based (under $2000 NET cost (ignore the upfront sticker costs)) are like any P&S digital camera: A disposable commodity.
Digital cameras lack the shadow and detail depth film allows.
Digital cameras' aggressive interpretation of light make them generally pointless for special effects (e.g. the 'running waterfall' effect)
The sensors' pixels can get stuck in one color (not unlike the problem with LCD monitors that do the same thing, except the effect is temporary). The Canon Digital Rebel often produces this during a long open-shutter exposure.
D-SLR cameras, none of them, allows for easy cleaning of the sensor - and they get dusty. It's easy to break the fragile mechanics, rendering your $1500-net Digital Rebel into a anchor for a dighny.
Now add up how much film you'd have to BUY and then pay for PROCESSING and have a heart attack that $1500+ worth of film + processing yields quite a lot of photographs; probably many more protographs before the industry comes out with the latest toy for you to buy. (so the camera won't even pay for itself!!!)
I've mentioned a couple of the Canon problems. The Nikon D70, otherwise a rather superior model, has a big problem: For fine patterns (e.g. when the sensor looks at a backpack, purse, dress, or cloth of a similar fine crosscheck pattern), the sensor creates impossible-to-completely-remove moire. Post-processing solutions can fix it to an extent, but some will always remain. $1800 net for that? Fuck 'em, forgive my Freedom.
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