(...)
But this attention to detail becomes so amazingly evident and seemingly all-consuming in the later boxes, I begin to wonder whether it was worth it. In one portable cabin, for example, there are hundreds and hundreds of boxes related to Eyes Wide Shut, marked EWS - Portman Square, EWS - Kensington & Chelsea, etc, etc. I choose the one marked EWS - Islington because that's where I live. Inside are hundreds of photographs of doorways. The doorway of my local video shop, Century Video, is here, as is the doorway of my dry cleaner's, Spots Suede Services on Upper Street. Then, as I continue to flick through the photographs, I find, to my astonishment, pictures of the doorways of the houses in my own street. Handwritten at the top of these photographs are the words, "Hooker doorway?"
"Huh," I think. So somebody within the Kubrick organisation (it was, in fact, his nephew) once walked up my street, on Kubrick's orders, hoping to find a suitable doorway for a hooker in Eyes Wide Shut. It is both an extremely interesting find and a bit of a kick in the teeth.
It is not, though, as incredible a coincidence as it may at first seem. Judging by the writing on the boxes, probably just about every doorway in London has been captured and placed inside this cabin. This solves one mystery for me - the one about why Kubrick, a native of the Bronx, chose the St Albans countryside, of all places, for his home. I realise now that it didn't matter. It could have been anywhere. It is as if the whole world is to be found somewhere within this estate.
But was it worth it? Was the hooker doorway eventually picked for Eyes Wide Shut the quintessential hooker doorway? Back at home, I watch Eyes Wide Shut again on DVD. The hooker doorway looks exactly like any doorway you would find in Lower Manhattan - maybe on Canal Street or in the East Village. It is a red door, up some brownstone steps, with the number 265 painted on the glass at the top. Tom Cruise is pulled through the door by the hooker. The scene is over in a few seconds. (It was eventually shot on a set at Pinewood.)
(...)
http://film.guardian.co.uk/features/featurepages/0,4120,1177734,00.html