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I've seen his movies, sometimes more than once. And, I like them. A lot. But, I don't love them. I don't know why. Maybe you can tell me what I'm not getting or missing.
Now, I've seen (and liked) Mystery Train, Down by Law, Coffee & Cigarettes, (which wasn't so hot but I still liked it), and last night I watched Broken Flowers. They're all quirky, stylish, well acted stories. That's part of why I enjoy them. But the more I think about it, it's also what's keeping me from loving them, I think. Something about them--let's call it a sense of self-awareness, for now--just feels, not off, but that something's missing. Maybe. Or maybe it's that nothing is missing. That all this unconventional storytelling is really, conventional.
For example, in Broken Flowers, like his others, when I watch it I'm hyper-aware of "place." Of colors, sounds, moods, little details and so on--which is fine. It's supposed to be that way. But I'm also hyper-aware that it's supposed to be that way. That this shot of this thing with that color and that sound was a choice, and it's like the shot is saying "see, I did it that way for a reason." Or, "this story was inspired by Film Noir, or classic detective movies, etc." Which, again, is fine. It's not like it's news that everything in film is a choice, or that directors often work with a nod to genres of the past. And, again, I think he does all of that really well.
I don't know if I'm explaining this at all well. I guess it sometimes feels like I'm watching a really hip, likable, film school textbook come to life. And I like it. A lot. But I don't love it. Is it just me? Should I be watching them with something in mind? Am I missing something? Am I way off? Help me out, film nerds.
(I'm going to clean the house a bit and do some other things I need to do, so if I'm not around for a while that's why. I'll check in when I can to see what you have to say. Thanks. :hi: )
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