|
I didn't watch it for the plot (although to answer your one question, I just sort of assumed that Andre Marek became his own great! grandfather or something; in fact, I don't see a paradox between having two people with the same name in different time periods -- don't ask, never mind...).
The medieval stuff in the film was about as good as medieval stuff in big-budget films gets. Yes, there were a few glaring errors, but it was far more accurate than a lot of so-called "historical" films, and it wasn't even trying. Other than the night fighting (NO medieval battles happened at night, but I understand from a cinematic POV why they did it that way), the fighting scenes were fairly accurate, the costuming was remarkably good (a few blunders, but better than most!), and they handled most of the other technical aspects of the period section really well. (NO oogly complex chartered Victorian heraldic monstrosities!)
In that respect, it was a good film. And seriously, there ARE no good time travel stories, because time travel almost always involves paradox, so why, if you were going to object to it on those grounds, go to see it at all? I didn't go to see it for the metaplot; I went to see it for the period stuff, which they did well, so I was perfectly satisfied with it. Actually, I can't wait to rent it and sit down with my fiance, who knows more about the Hundred Years' War period than I do, and find out if my impressions were as accurate as I think.
|