Mondays 'IN' The Undergroundrailroad (Holiday Edition) for December 22, 2003

Mondays 'IN' The Undergroundrailroad
Happy Holidays and welcome to Mondays 'IN' The Undergroundrailroad. Well, how does this Monday find you? Need to wind down for a bit? Not to worry. What
EVER your mood, I'm here to provide you with a comfy seat in my Monday home away from home and jump-start your holiday week ahead.
Our dessert today is an old fashioned
GINGER BREAD HOUSE. I love the charm of this holiday tradition and the smell of ginger bread baking in my oven is one of my childhood memories. Close your eyes for a moment and think of that aroma! So just break off a piece and enjoy!
Speaking of memories, sometimes a holiday memory is worth MORE than money. How does one place "value" on a precious moment in time that can never be taken away, no matter what?
MINA, Age 9 Dear Santa Claus:
I want more than anything in the world a PATTI PLAY PAL DOLL. Please forgive me for the homework I did not do (only twice) and lied about it. But other than that, I have been very obdient daughter. So please, please, PRETTY PLEASEEEEEEEEEEEEEEEEEEEEEE, a Patti Play Pal Doll Santa. Yes, "Santa" left the the Patti Play Pal Doll and it was a Christmas morning that was perfect for me. I remember just STARING at that doll for one straight hour. It was a beautiful memory I will never forget.
JohnkankusI want you to travel with me, back in time, to the Southern Coast of America notably Wilmington, Edenton and Hillsboro, North Carolina. Slavery was a way of life at this time along the coasts of Carolina. It's Christmas eve and Black children are looking forward to Christmas morning and the celebration of
Johnkankus. Johnkankus was a very festive event that paid tribute to an ancient African chief from what is now Ghana. Costumed dancers and singers performed to the beat of drums. Small gifts were exchanged and there was special foods and drink. In celebrating the Johnkankus, the slaves were continuing an African folkway, *and* also, creating one of the
first African-American traditions in this country. It is a tradition that has lasted in various locations for two hundred and seventy-six years.
It was an early indication that African-Americans had their own ideas about the holidays. Progressive ideas. How about this for a "protest song" during Johnkankus that ends with a "sting":
Poor Massa so de say
Down in the heel
So de say
God Almighty bress you
so de sayORChristmas comes but once a year
Ho rang du rango
Everyone should have a share
Ho rang du rangoMore progressive ideas connected with Johnkankus! The celebration was distinctive for its unusual costumes all made out of rags and tatters, found objects and recycled materials. The Jonkonnu members (dancers) wore masks that were wildly original made from whatever odds and ends the slaves could find. The African-American slaves were some of the first environmentalist creating the entire festival from garbage and genius. Instruments for the celebration were made from animal bones, sticks, reeds, cows' horns and triangles.
Even for enslaved black children, it was a season of hope and love. It was the roots of an African-American Christmas and the beginning of progressive roots, black roots, that I'm proud to be a part of.
Happy Johnkankus Everybody
Hattie McDaniels with Vivien Leigh in GONE WITH THE WIND
Hattie McDaniels at the Oscars
The Extraordinary Life of Hattie McDaniels Around Christmas, I always pull out several of my favorite DVDs. One of those favorites is
GONE WITH THE WIND. I just adore the movie and each time I watch it I find something new that I didn't notice before. Who can forget that memorable scene with Hattie McDaniels as "Mammy" assisting Vivian Leigh, Scarlett, with lacing her corset! For better or for worse, Hattie McDaniels is best remembered for her Oscar winning role as "Mammy". She remains one of the most celebrated black actresses of all time. But there was pain in the life of Hattie McDaniels who was continually distressed by the criticisms and protests ignited by the "mammy" roles that she played so well for most of her life. There were few roles available to black actors in the 1930s and 1940s.
The NAACP undertook to protest such images, and Hattie did not attend the Atlanta premiere of GWTW, due to the city's overt racism. She was an anxious activist., for instance, organizing against racial segregation in her own Los Angeles neighborhood. When a group of white neighbors tried to enforce a so-called "restrictive covenant," she rallied her black neighbors, they took the case all the way to the Supreme Court, and they won! Picketers demonstrated against GWTW previews in Chicago, New York, and the Academy Awards ceremony in Los Angeles. Hattie's role was cited repeatedly as the major offense (the protest signs shown included one reading,
"No Mo Mammy!". Most of the time, however, Hattie McDaniel had to put up with indignities in order to work. Responding to criticism of her choices, Hattie would echo this sentiment, famously saying, "I'd rather play a maid and make $700 a week, than
be a maid for $7." She was honored AND condemned.
Hattie McDaniel was born in 1895 in Wichita, Kansas. Her father was an ex-slave. At an early age her father encouraged her to pursue a career in theater and film. But the roles she wanted were denied to her. She wanted to do romantic roles and acceptable alternatives to playing the "Mammy". What hurt her even more was the dicotomy that existed among Black actors. For example, she could not compete with Lena Horne for the more glamorous and conventionally romantic roles that Horne would and did play. Both African-American actors, one viewed as the dark skinned antebellum servant, and Lena, the light-skinned "sepia", was considered more acceptable for romantic roles. Hattie felt her "looks" isolated her and sadly, it did. Nevertheless, Hattie McDaniel set a historical precedent, winning an Oscar, the first African-American, EVER, to win the gold statuette for her role in GONE WITH THE WIND. She was a gifted actor and an important figure in U.S. cultural history. Hattie McDaniel died of breast cancer on October 26, 1952 in Hollywood, CA. Finally, in spite of her extraordinary success as an actress, she was *NOT* allowed burial in the Hollywood cemetery. Why? Segregation was
still the written and unwritten law in our country. Her black skin prohibited that accommodation.
Mondays 'IN' The Undergroundrailroad remembers the great accomplishments of Hattie McDaniel.For more on the life of Hattie McDaniels;
Hattie: The Life of Hattie McDaniel
The Boondocks by Aaron McGruder 
Questions of the Day 1. Life in your car. Name at least 2 important things you *must* have in your car at
all times?
2. What are your holiday plans?
3. Name a favorite toy from your childhood.
OK, I'm OUTTA. See you next Monday 'IN' The Undergroundrailroad 
Happy Holidays! PEACE! 
