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and none of Reynolds, but they're all in this group of newish politcal sf writers from the UK. MacLeod's first series had 4 different politcal futures all springing from a political disagreement in the 1970s yet reaching into the far off future. His books seem to be misunderstood by a lot of people as he uses unreliable narrators who add their shading to what's happening politically around them.
Here's some bits:
Amazon.com A Ken MacLeod book is like a crowded college coffeehouse: noisy, bustling, a little rowdy, and packed with enough wild ideas and competing ideologies to leave you reeling. Star Fraction, MacLeod's 1995 debut, is no exception. As the first installment in the Fall Revolution sequence (followed by The Stone Canal and The Cassini Division), Star Fraction established this Scottish author's formidable talent for mixing complex politics and cyberpunk action into smart, funny stories. MacLeod avoids heady political theorizing by always personifying his ideas in believable, often articulately passionate characters. (Or as one character puts it, "In my experience politics is guys with guns ripping me off at roadblocks.") Star Fraction's putative protagonists--a Trotskyite mercenary, a fugitive university researcher, and a fundamentalist-turned-atheist programmer--are on the run after a chance combination of marijuana, experimental memory drugs, and a self-aware firearm threatens to awaken a powerful AI on the nets, much to the dismay of the Men In Black and the orbital-laser-wielding U.S./UN. (As with all MacLeod plots, don't bother asking--it's a long story.)
With its ultrabalkanized UK and convoluted cast of neo-Stalinists, AI-Abolitionists, Christianarchists, femininists, et al., Star Fraction is MacLeod at his best--even at his first.
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In the series that started with The Star Fraction, Ken MacLeod has created a future history whose genesis was an argument about anarchism between a group of left-wing students in the '70s. The destruction and renaissance of civilization, here and elsewhere in the human galaxy, turns on this argument. In the fourth book, MacLeod productively fills in some of the gaps. This is the story of Myra, Trot-turned-entrepreneur, whose nuclear deterrence-for-hire is central to the event known by some as the Fall and others as the Deliverance. It is also the story of young Clovis, part-time worker in the yard where the first space-ship in centuries is being built, part-time scholar trying to find out what Myra the Deliverer was really like.
MacLeod's readers are used to his quirky and intelligent take on the world of power politics and his charmingly cynical gift for engaging and engaged protagonists. What this book also has is a profound sense of the beauty of a simpler and stiller world; MacLeod's real gift is his capacity to see all sides of a question, even when he is sure of the answer. --Roz Kaveney, Amazon.co.uk --This text refers to the Hardcover edition.
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