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Edited on Fri Aug-08-03 09:36 AM by soleft
Someone that you care about. Usually you're pretty sure that Indiana Jones and James Bond and Jack Ryan aren't going to bite the dust. So what separates a great edge on your seat story from a ho hum, gee, how much money did they spend on that effect is how much the hero is invested in the character who's life is at stake - and therefore how much we're invested.
That's why the Star Wars Sequels failed so badly. Who gave a crap about Liam Nisson's character, or Princess Whoever.
Pearl Harbor - as opposed to Titantic - okay, I cared about Jack Dawson, I knew he was going to die, but they kept me guessing as to when and how and how much it would affect Rose. I don't even remember the name of Ben Affleck's character and didn't feel particuly moved when Josh Harnett succombed.
The reason T2 worked well is because you were invested in Sarah Connor, not the Terminator. Die Another Day, you know nothing was going to happen to Bond, but you sure as hell didn't want to Hallie Berry buy the farm.
The reason why Tomb Raider hasn't worked is because there's no one Lara Croft really cares about. I don't want to see her chasing some relic because she has to save the world. That's not going to keep on the edge of my seat - there has to be someone she cares about in constant peril, and it can't be herself.
Pirates of the Carribean almost achieved this - but I never believed anyone was actually in any danger. I haven't seen Spy Kids. Don't know what the peril factor is there.
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