It's not hurricanes challenging New Orleans' musicians anymore; it's the economy. Five years ago this weekend, Hurricane Katrina decimated the city and its music community, but the recession has set a slow pace for its recovery.
According to the third annual State of the New Orleans Music Community Report, there are 50% fewer gigs in the Crescent City than there were before the storm, and it has been that way for the last two years.
"Musicians currently have half the gigs they did before the flood, and this work pays less than pre-Katrina," says Gabriela Hernandez, executive director of the non-profit relief agency Sweet Home New Orleans (SHNO), which released the report. "At the same time, the recession has eliminated a lot of the service industry day jobs they've previously relied on. So while the cost of living has skyrocketed in the city, musicians are seeing their opportunities to earn money dry up."
SHNO published the report this morning, using its 4,500 clients to provide insights into the well-being of the city's famed music community. There's good news: Despite fears about the storm's impact on neighborhood-based institutions such as Mardi Gras Indians and the second-line community, those groups are back to pre-Katrina levels of activity. Musicians, on the other hand, have experienced a drop in the average number of gigs from 12 to six in a month, and earnings are down 43% to a ballpark income of $15,000 per year.
Hardest hit have been older musicians and those reliant on tourists for their livelihood, whether on Bourbon Street, riverboats or convention-related gigs. Saxophone player Elliot "Stackman" Callier played with Ray Charles and Fats Domino, and he appears on many classic R&B recordings, including Lee Dorsey's "Working in a Coal Mine." His resume hasn't insulated him from the economic downturn, though. "I have to take anything that almost makes good sense to play," he says.
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