By JOHN J. O'CONNOR
Published: December 17, 1984
The very first scenes of the new adaptation of ''A Christmas Carol,'' on CBS at 8 this evening, are reassuring for those of us who love and treasure the Charles Dickens classic. Filmed in the English town of Shrewsbury, on the Welsh border, the production beautifully evokes a sense of period and place, washed in misty pastel colorings. Care has obviously been taken. The story is clearly in good hands.
George C. Scott stars as Ebenezer Scrooge and, not surprisingly, the rather forbidding character of the miser dominates the production. Glowering and growling, Mr. Scott turns the old fellow into a formidable misanthrope who firmly believes that he is in the right while the rest of the world is out of step. Roger O. Hirson's teleplay underlines the fact that there are mitigating reasons for Scrooge's single-minded devotion to the pursuit of money. He was scarred in childhood when his mother's death turned his father against him, and again later when his beloved fiancee ended their engagement. This Scrooge is a tough old codger, not undergoing a transformation until the final moments of the tale. . .
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It's not just good, it's the best, and it's time to recognize it: In 2010, many publications (see Salon.com, among others) acknowledged the Scott version as the best; many named the supporting performances, which were uniformly superb. They were correct, and with all due respect to Alistair Sim, it's time to recognize the magnificence of the Scott version - as reviewers are doing in an increasing fashion - as the very best (music, too). And God bless us, every one.
P.S. If you have not yet seen it, this year is the time.