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...I was the proverbial outsider looking in and once I discovered Zappa's music, it was a game-changer. The same was true for Neil Young's "Everybody Knows This Is Nowhere" album.
Except for Adler, the other G&R members seemed to land on their feet in one way or another...from Axl's "Chinese Democracy" (even though it was a flop, he enjoyed a decade's worth of buzz over it) to Izzy Stradlin's Stones knockoff "The JuJu Hounds" to the whole Velvet Revolver thing, which was really nothing more than "bad boys" playing extremely calculated corporate rock. And as you said, he won the lawsuit, and he's got the book, so it's not as if he needs to stand outside of clubs with a tin cup or cardboard sign anytime soon (unless he's a fool with his money).
I guess the difference between going down that road or not...of being Robert Johnson and making a deal with the devil at the crossroads...is that the people who took a walk down that road can tell you what lies there, while people like me can only imagine what might have waited for me there. One of the worst questions we can ask, I believe, is "What if?"
Like Kerouac wrote,
“The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn, like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes "Awww!”
:toast:
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