A column in the Washington Post reported yesterday that the Pentagon's special operations chiefs have decided to screen The Battle of Algiers, Gillo Pontecorvo's 1965 classic film of urban terrorist insurgency, for Pentagon employees on Aug. 27. The decision to show Algiers, David Ignatius writes, is "one hopeful sign that the military is thinking creatively and unconventionally about Iraq." He even quotes from a Pentagon flier about the movie:
How to win a battle against terrorism and lose the war of ideas. ... Children shoot soldiers at point blank range. Women plant bombs in cafes. Soon the entire Arab population builds to a mad fervor. Sound familiar? The French have a plan. It succeeds tactically, but fails strategically. To understand why, come to a rare showing of this film.
It's welcome news that the military is thinking creatively about the American role in Iraq, but the lessons and pleasures of The Battle of Algiers are a lot more ambiguous than this Pentagon blurb implies. To praise the film for its strategic insights is to buy into the 1960s revolutionary mystique that it celebrates; it is the collapse of that very mystique that has contributed to the film's current obscurity and made screenings "rare."
http://slate.msn.com/id/2087628/