Salon: "Iraq: The unseen war" (GRAPHIC photos, members or Day Pass only)

[Bush_Eats_Beef]

The Gallery is done in Macromedia Flash...it's a window that pops up from a link in the main article, so I can;t post anything here. If you want to see these photos and you are NOT a Salon member you need to go to the site and sign up for a day pass.

B_E_B

http://www.salon.com/news/feature/2005/08/23/iraq_gallery/index.html

Aug. 23, 2005 This is a war the Bush administration does not want Americans to see. From the beginning, the U.S. government has attempted to censor information about the Iraq war, prohibiting photographs of the coffins of U.S. troops returning home and refusing as a matter of policy to keep track of the number of Iraqis who have been killed. President Bush has yet to attend a single funeral of a soldier killed in Iraq.

To be sure, this see-no-evil approach is neither surprising nor new. With the qualified exception of the Vietnam War, when images of body bags appeared frequently on the nightly news, American governments have always tightly controlled images of war. There is good reason for this. In war, a picture really is worth a thousand words. No story about a battle, no matter how eloquent, possesses the raw power of a photograph. And when it comes to war's ultimate consequences -- death and suffering -- there is simply no comparison: a photo of a dead man or woman has the capacity to unsettle those who see it, sometimes forever. The bloated corpses photographed by Matthew Brady after Antietam remain in the mind, their puffy, shocked faces haunting us like an obscene truth almost 150 years after the soldiers were cut down.

"War is hell," said Gen. Sherman, and everyone dutifully agrees. Yet the hell in Iraq is almost never shown. The few exceptions -- the charred bodies of American contractors hanging from a bridge in Fallujah, the blood-spattered little girl wailing after her parents were killed next to her -- only prove the rule.

Governments keep war hidden because it is hideous. To allow citizens to see its reality -- the shattered bodies, the wounded children, the incomprehensible mayhem -- is to risk eroding popular support for it. This is particularly true with wars that have less than overwhelming popular support to begin with. In the case of Vietnam, battlefield images played an important role in turning the tide of public opinion. And in Iraq, a war whose official justification has turned out to be false, and which a majority of the American people now believe to have been a mistake, the administration would prefer that these grim images never be seen.