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Montreal film festival backs out of screening 'Karla' *thank goodness!*

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auntAgonist Donating Member (1000+ posts) Send PM | Profile | Ignore Sun Aug-21-05 08:05 PM
Original message
Montreal film festival backs out of screening 'Karla' *thank goodness!*
Lawyer Tim Danson has called the decision to add true-crime film Karla to the Montreal festival's 2005 lineup "exploitative and sensational."



Montreal film festival backs out of screening 'Karla'

http://www.cbc.ca/story/arts/national/2005/08/04/Arts/Karla050804.html


http://www.cbc.ca/story/arts/national/2005/07/27/Arts/karladanson050727.html

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glarius Donating Member (1000+ posts) Send PM | Profile | Ignore Sun Aug-21-05 08:32 PM
Response to Original message
1. Thank goodness!......we don't need to watch that garbage!
This has nothing to do with freedom of the press etc....It has to do with human decency....IMO
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auntAgonist Donating Member (1000+ posts) Send PM | Profile | Ignore Sun Aug-21-05 09:36 PM
Response to Reply #1
2. I know you're right.
I lived in Ontario (my home is near Kitchener-Waterloo) and was horrified along with everyone else at the atrocities commited by these two.

I hope they get an injunction and stop it altogether.

May those girls rest in peace. May their families find peace some day.


meanwhile karla walks free. :mad:
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Pierre Trudeau Donating Member (206 posts) Send PM | Profile | Ignore Tue Aug-23-05 10:53 AM
Response to Original message
3. is this a joke?

Are you folks serious???

You really think there should be an "injunction" against this film being shown?

Have you even seen the film?

With statements like these, I find it difficult to distinguish between you and rabid fundamentalists who want to ban anything that doesn't meet their "moral" approval.

So nobody should make films or write books about horrible true-life atrocities? Should we now ban all books and films about Nazi Germany, the Manson Murders, the Spanish Inquisition, etc. because they are "exploiting" the victims?!?

An episode of TV series "Law and Order" was also based on the story of Karla and Paul. Are you going to petition the CRTC to forbid any broadcast of "Law and Order" within Canada?

You are truly nuts. The notion that certain subjects are unsuitable for treatment in film or literature is ignorant and reprehensible.
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achtung_circus Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 11:25 AM
Response to Reply #3
4. It is nothing more than
the Montreal Film Festival saying we don't want made-for-TV pronography at what is essentially an art film festival.

Their call, those who want to see the movie will have lots of opportunity.

Should the Oscar be awarded to The Dukes of Hazzard?
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Pierre Trudeau Donating Member (206 posts) Send PM | Profile | Ignore Tue Aug-23-05 11:44 AM
Response to Reply #4
5. actually, if you'd read the posted article...

the Festival said nothing about pulling the film because it is "made-for-TV pronography". The statement reads:

"Following the debate raised by the announcement of a showing of Karla during the festival, as well as the discomfort expressed by a number of the sponsors concerning their clients, the management of the World Film Festival has decided to not present this film at the festival."

So apparently the real reason the festival got cold feet was the rish of losing sponsorship cash. It had nothing to do with whether it was or wasn't an "art film" (what the hell is that anyway?).

And on what basis do you conclude that the film is "made-for-TV pronography"? (It is in fact a feature film, not made for television, that much I know)

Once again I ask: HAVE ANY OF YOU ACTUALLY SEEN THE DAMN FILM?

If not, you're talking through your ass, and your statements carry no more weight than freepers dismissing Michael Moore's films as "anti-American propaganda" when they haven't actually seen them.

And besides, that wasn't my point: I don't give a hoot whether or not the Montreal festival chooses to program the film or not, that's their choice. I was responding to the above posters dismissing the film as "garbage", sight unseen, and offering the opinion that there should be an injunction against the film being shown at all.

And I can't remain silent on these matters.
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Spazito Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 11:52 AM
Response to Reply #5
6. I agree, there should not be a court injuction but there should be
a MAJOR boycott of any corporate sponsors of this movie and any organization or movie outlet that plays it.

They have a right to try and show it and we have a right to boycott it.
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Pierre Trudeau Donating Member (206 posts) Send PM | Profile | Ignore Tue Aug-23-05 11:58 AM
Response to Reply #6
7. but why???
Edited on Tue Aug-23-05 12:37 PM by Pierre Trudeau
What's the point of such a boycott?

Why would you suggest that when you haven't seen the film?
And I know you haven't, because it hasn't been released yet.

I thought DU was a forum for progressive, enlightened people, not censorious, knee-jerk reactionaries.

Here is a page on the CBC site listing a number of notable films based on real-life serial killers:

http://www.cbc.ca/arts/film/serialkillers.html

Many of these films are considered cinema classics (Charlize Theron won an oscar for her portrayal of real-life serial killer Aileen Wuornos). I'm not saying that Karla is neccessarily of the same stature of these films (all of which I have seen, by the way).

But I wouldn't know, because I haven't SEEN it yet.
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Spazito Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 12:09 PM
Response to Reply #7
8. I don't watch movies that capitalize monitarily by showcasing
killers. I will watch documentaries based strictly on facts, however. If the makers of this movie didn't think it was a money-making proposition, they would not have made it. They just aren't getting any of my money and neither are their sponsors. They have the right to make it, I have the right to boycott it.

Being enlightened doesn't mean filling the coffers of those who are profiting from the victims of serial killers.
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Pierre Trudeau Donating Member (206 posts) Send PM | Profile | Ignore Tue Aug-23-05 12:22 PM
Response to Reply #8
10. well then...

You should boycott Universal Studios, which produced "Schindler's List". It is not a documentary, it is a commercial film that "capitalized monetarily by showcasing killers".

Also, start boycotting Michael Moore's films, as well as the studios and distributors behind them. After all, "Bowling For Columbine" showcases the Columbine killers. And it made a LOT of money.

In fact, according to your logic, we should boycott EVERY film studio, distributor, cinema chain, etc. Because they are ALL guilty of this so-called crime.

Oh, and by the way, even theatrically-released documentaries are commercial ventures. The producers do hope to make money on them.

So boycott away, if you like. But in my eyes, you are merely a fool.
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Spazito Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 01:32 PM
Response to Reply #10
13. LOL, your argument is starting to deteriorate rapidly
When one starts continues the debate by calling the other a fool, it usually indicates they have lost the debate and have no realistic rebuttal.

I can't help but wonder if you work in the film industry because of your vociferous defense of it and this movie of Karla in particular.

Bowling for Columbine was not focused on the killers but, rather, the gun mentality in the US, your use of this as an example is simply grasping for straws, imo.
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Pierre Trudeau Donating Member (206 posts) Send PM | Profile | Ignore Tue Aug-23-05 02:10 PM
Response to Reply #13
15. look to your own "argument" first
I made my rebuttal and then closed off with the "fool" remark, which is not intended as an insult, but summarizes the folly of someone launching a boycott over a film they haven't seen. Remember the uproar among some christians over films like Godard's "Hail Mary" (an "art film" if ever there was one) or Scorsese's "The Last Temptation of Christ"?

"I can't help but wonder if you work in the film industry because of your vociferous defense of it and this movie of Karla in particular."

Well, this is a pretty weak argument here, more of an ad hominem really, or a sort of guilt-by-association. "Your arguments must be false because you probably work in the such-and-such industry".

As a matter of fact, I only have a peripheral connection to the "film industry", as I have composed original music scores for a handful of Canadian features and short films. Primarily I am a free-lance artist working in many different media. I write, act, produce live theatre, compose music and sound designs and so on. I have no reason to defend this particular movie, for all I know it could be a piece of crap. But I DO think that anyone who protests it and wants to boycott companies that produce it, or thinks there should be an injunction against it, when they haven't even seen the film in question are behaving foolishly.

"Bowling for Columbine was not focused on the killers but, rather, the gun mentality in the US, your use of this as an example is simply grasping for straws, imo."

Fair enough, but until you have actually seen "Karla", how can you be so certain what it's "focus" actually is??

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Spazito Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 02:17 PM
Response to Reply #15
16. Your interpretation of my comment regarding your defense of
the film industry is inaccurate, it was simply a question given your passion in defending this movie BEFORE you have seen it. I have no problem with you if you see it, it is your right and I don't think you are a fool if you do.

I choose not to help the profits of movies that glorify killers such as 'Karla' at the expense of the victims and their families. There is no question this movie IS at the expense of the victims and their families.
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Pierre Trudeau Donating Member (206 posts) Send PM | Profile | Ignore Tue Aug-23-05 02:32 PM
Response to Reply #16
17. I can agree on the one point
I choose not to help the profits of movies that glorify killers such as 'Karla' at the expense of the victims and their families.

Well, I can totally appreciate that, it is a moral choice you are making, and I can respect that.

But I am still mystified by your utter certainty that "there is no question this movie IS at the expense of the victims and their families." If you haven't seen the movie, I fail to grasp on what basis you can assert that so unequivocably.

The reason I decided to kick up a fuss in this thread has nothing to do with the Montreal film festival, or the film industry in general. It just pains me to see supposedly "progressive" and open-minded people fall into the same trap as fundamentalists who protested "The Last Temptation of Christ" although they hadn't seen it. After all, they were surely convinced that THAT movie was exploiting Jesus and their faith for profit.

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Spazito Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 03:06 PM
Response to Reply #17
19. Fair enough, I think we have to agree to disagree on this particular
issue.
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IntravenousDemilo Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 06:15 PM
Response to Reply #19
24. "I think we have to agree to disagree"...
...is code for, "OK, I know I don't have a reasonable argument, and I'm tired of trying to justify my untenable position, so I think I'll just invoke closure on the debate in order to cut my losses."

Censorship of artistic endeavours is unacceptable under any circumstances. It will eventually mean the death of the arts at the brutal hands of Miss Grundy and her Bluestocking Brigade.
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iverglas Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 07:03 PM
Response to Reply #24
26. yes ... and you
"I think we have to agree to disagree"...
...is code for ...


... are the arbiter of what other people mean when they speak. Oh -- not.

Censorship of artistic endeavours is unacceptable under any circumstances.

I guess that would be your opinion.

It will eventually mean the death of the arts at the brutal hands of Miss Grundy and her Bluestocking Brigade.

Watch your step!!


http://users.rcn.com/rostmd/winace/pics/

You'll be needing some of this to grease the way, methinks.

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Spazito Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 09:45 PM
Response to Reply #24
30. I just love when someone who doesn't know me from a hole in
the ground tells me what I mean. What I posted was very clear for anyone who can read and isn't looking to start up a flame-fest. Nice try though, lol.
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iverglas Donating Member (1000+ posts) Send PM | Profile | Ignore Wed Aug-24-05 09:55 AM
Response to Reply #10
32. just a little example
in case you were wanting one.

You should boycott Universal Studios, which produced "Schindler's List". It is not a documentary, it is a commercial film that "capitalized monetarily by showcasing killers".

You are perfectly aware -- you see, *I* am not going to assume, or pretend to think, that *you* are too stupid or misguided or ill-intentioned not to be aware -- that your characterization of what Spazito said is completely false.

You are engaging in the fallacy of equivocation -- taking something said out of its context and applying a meaning to it that you know perfectly well was not the meaning intended.

And by doing that, you set the stage for your straw-person argument: you demolish the argument that you pretend Spazito was making by ridiculing it into oblivion. How too clever.

You really do know perfectly well -- I'm attributing a fair bit of intelligence to you, you see -- that "showcasing", for instance, as spoken by Spazito, really just did not mean "giving a lot of screentime to". It really didn't, and you really know it didn't. You really do know what it meant.

And yet you pretend to think that it did, in order to portray Spazito's argument and Spazito as, at the least, stupid.

You have repeatedly purported to apply someone's own "logic" to other situations, and come up with the ludicrous results that would obviously be expected when the "logic" you're applying is no logic at all, you knowing full well all the while that the "logic" in question is NOT the logic of the individual you are denigrating by this means.

You may think that it is impossible to determine whether a particular artistic work "showcases killers" in the sense in which Spazito spoke those words.

What I can't figure out is why you can't or won't just make that point without misrepresenting what Spazito said and meant.

I'd say that Spazito "agreeing to disagree" was, in this case, a polite way of telling you to piss off, because she saw absolutely no point in attempting to discuss something with someone who did not acknowledge the existence of matter for discussion in the first place.

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Pierre Trudeau Donating Member (206 posts) Send PM | Profile | Ignore Wed Aug-24-05 11:36 AM
Response to Reply #32
34. it's not just the terms
"You really do know perfectly well -- I'm attributing a fair bit of intelligence to you, you see -- that "showcasing", for instance, as spoken by Spazito, really just did not mean "giving a lot of screentime to". It really didn't, and you really know it didn't. You really do know what it meant."

Actually, I'm not so sure what she meant. "Showcasing" is rather a vague term, and could be interpreted in a number of ways.

But still, my central point is unanswered by any of you: HOW CAN SPAZITO ASSERT WITH SUCH CERTAINTY THAT THIS FILM IS "SHOWCASING" KILLERS (whatever that means) IF SHE HASN'T SEEN THE DAMN FILM?!?!?!? HOW CAN SHE SAY ANYTHING ABOUT IT WITH SUCH UTTER CERTAINTY IN THAT CASE???

With all your attempts to critique my logic, STILL you dodge this underlying question. I'm not interested in bickering over the meaning of "showcasing". All I'm saying is that people have formed PREJUDICES about something about which they have precious little knowledge. And those prejudices have led them onto other assertions (the film should be boycotted, it's exploitative garbage, there should be an injunction against it, etc.), all of which are built on the same false premises.


btw it was a different poster who took issue with Spazito's "agreeing to disagree". I had already let the discussion settle.

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IntravenousDemilo Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 06:28 PM
Response to Reply #3
25. Hear, hear!
Mind you, regarding your example of "The Last Temptation of Christ" in a subsequent post -- well, I really didn't like the movie because the story seemed frankly silly (the talking lion in the desert -- oh, please, pull the other one!), and Willem Dafoe be the least charismatic Christ that Scorsese could have chosen. Who would ever follow someone as dull as Dafoe, much less base an entire religion on him? Also the poetry of the King James version was lost. "Verily, verily, I say unto you..." was reduced to some shoddy vernacular equivalent like "Hey, guys, listen up." Silly movie altogether, and I don't know why the Xians were so up-in-arms over it.

Still, I DID PLUNK DOWN MY MONEY AND SEE THE MOVIE IN QUESTION AND AM THUS QUALIFIED TO EXPRESS AN OPINION ABOUT IT.

Which I think is what you're getting at. Had I never seen TLTOC, I would never dream of dissing it, or even discussing it.

Same with "Karla". I won't go out of my way to see it or not see it, but if the opportunity to do so leaps out at me, I'll take a look and see what it's like.
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iverglas Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 12:12 PM
Response to Original message
9. there's a load of background to this one
There are two warring international/world film festivals in Montreal at the moment, and there's a very long history.

Serge Losique, of Cinémathèque, is the godfather of the Montreal film world, and very well-connected world-wide. He's also (by one side of the story, the one I'm most personally familiar with) pretty much an obnoxious asshole, and likes to run things the way he likes to run things and isn't much interested in what anyone else thinks. The long-standing World Film Festival is his. Its success may be a testament to his skill and talent.

The International Film Festival is the upstart, against which he is now competing for films and audiences.

He's the one who was planning to screen "Karla".

He was recently defunded, and is relying more heavily on commercial sponsors. One in particular, I forget which, threatened to pull out if it were screened.

Losique is obviously vulnerable to private sponsor pressure. Had it been a publicly funded festival making these decisions, the considerations might properly be different, and the artistic merit / commercial interest / public interest balancing might come out differently.

There are therefore quite a number of possible reasons both for his initial decision to screen the film and for his subsequent decision not to screen it. There's no particular reason to think that his decision to screen was any "purer" than his decision to pull.

One might expect a film festival to apply different considerations in deciding what to screen from the considerations applied by a filmmaker in deciding what to make or by a movie theatre company in deciding what to present.

A film festival might well decide that it is more interested in generating debate and exploring controversial subjects than a movie theatre company would ... but it might also decide that interests other than ticket sales should play a role in its decisions.

Also worth noting: Danson said:

"If we conclude that this film portrays <Kristen French and Leslie Mahaffy> in a way that offends the girls' dignity and memory and sense of honour, then we will consider that to be a violation of civil law," he said. "That could lead to an injunction."
-- and the Quebec Charter of Human Rights and Freedoms does say:

4. Every person has a right to the safeguard of his dignity, honour and reputation.

49. Any unlawful interference with any right or freedom recognized by this Charter entitles the victim to obtain the cessation of such interference and compensation for the moral or material prejudice resulting therefrom.
This concept is one that is common in civil law jurisdictions, e.g. in Europe -- the right of the individual to reputation. It's a social/political choice.

Losique is obviously correct that film, like all art, has always explored darkness and exploited people's fascination with evil, and the acts of evil people.

But "exploitation" of the subject matters, rather than simply of the audience's interest in it, has also always been something that serious film theorists recognize and tend to separate from serious consideration of subject matters.

Ah yes; I find:

http://www.kcl.ac.uk/humanities/filmstudies/pgmod.html

AQ/FS 545 Exploitation Cinema
Course coordinator: Dr Mark Betz
Semester: 2
Syllabus: Click here for the syllabus for this course.

Though it has only recently shown up on Film Studies' radar, exploitation cinema has long been a site of inordinate interest at the levels moral codes, community standards, and lawmaking on the one hand, and ritualised moviegoing, grassroots publishing, subcultural connoisseurship, collecting, and other forms of fan activity on the other. This course will examine exploitation cinema as an umbrella category encapsulating a variety of film forms and critical discourses. The central focus of the course - American exploitation cinema from the late 1950s through the late 1980s - allows for a detailed analysis of some of the more (in)famous and/or influential texts in the history of the American cinema, texts that broke new ground (aesthetic, industrial, and legal) for filmic representations of violence and sexuality. The core themes of exploitation cinema - youth, the family, modernity, race, class, the body - are constituted as sources of both anxiety and visual fascination in a host of cycles that continued, were initiated, or reached an apogee in this period, including juvenile delinquency/drugs, atomic monsters, cannibalism, sex hygiene, mondo, gore, slasher, softcore, hardcore, art-horror, and rape revenge. Detailed analysis of both the films and the writings produced on these cycles will demonstrate the ways in which, as one scholar puts it, exploitation films "crystallize, exaggerate, and expose the 'ground rules' from which mainstream films are built." This study of exploitation cinema as an aesthetic, industrial, and sociological phenomenon works towards, then, a fuller understanding of mainstream contemporary cinema culture, which has mirrored, copied, or otherwise benefitted from exploitation cinema at the same time as it has distanced itself from it.
Losique has not, I think, previously demonstrated himself to be an afficionado/promoter of exploitation cinema, and I think it's pretty obvious that this is what "Karla" is.

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Pierre Trudeau Donating Member (206 posts) Send PM | Profile | Ignore Tue Aug-23-05 12:29 PM
Response to Reply #9
11. who determines what is "exploitation"??

Such a judgement is purely subjective. The opponents of Cindy Sheehan accuse her of "exploiting" her grief. But I surmise that most folks here see otherwise.

And even if a film can be considered "exploitation", the fact that such films are the subject of university courses, as demonstrated above, suggests that there is still some value to them.

"The core themes of exploitation cinema - youth, the family, modernity, race, class, the body - are constituted as sources of both anxiety and visual fascination in a host of cycles that continued, were initiated, or reached an apogee in this period, including juvenile delinquency/drugs, atomic monsters, cannibalism, sex hygiene, mondo, gore, slasher, softcore, hardcore, art-horror, and rape revenge."

Some of my favourite films would belong in this category.

Call me whatever names you want, but I have no patience for "artificial art officials" whether from the right wing or left.
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iverglas Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 01:18 PM
Response to Reply #11
12. uh
There is apparently an entire film studies course worth of thought about "exploitation cinema", so presumably, for starters, it exists, in learnèd opinion.

Who determines what it is? Well, I guess we can all have opinions. Some would be more informed than others, some would be less biased than others ... just as in the case of most any opinion.

And even if a film can be considered "exploitation", the fact that such films are the subject of university courses, as demonstrated above, suggests that there is still some value to them.

Hardly. It demonstrates that they exist, and that the phenomenon of their existence is worth studying.

Is there value to Nazism, simply because there are university courses for studying it?

Call me whatever names you want, but I have no patience for "artificial art officials" whether from the right wing or left.

Well ... you could tell that to someone it might be relevant to.

Me, I have no patience for people who form and shout opinions about things without knowing anything about them.

I think it's rather important to know what is actually informing Serge Losique's decisions in this matter. I haven't actually even noticed him speaking glowingly of the artistic merit of this film. I do know that he's rather desperately in need of money, and that screening a film likely to attract large audiences regardless of its worth as anything at all is one way of getting it, and the attention that brings in audiences and money.

There really is a difference between a film festival and the local cineplex. If a film festival is showing an "exploitation" film, NOT in order to further serious study of the genre or fulfil some other purpose of a film festival, but purely in order to make money, and if it is doing that at considerable expense to real live people, that's a perfectly valid reason for criticizing the film festival.

If Karla is NOT an "exploitation" film, it might be a perfectly good candidate for Logique's festival. It could be a serious exploration of evil or of character, or a well-done fictionalization of a criminal event in the police procedural genre, and so on. There might still be perfectly good reasons not to screen it.

Some of my favourite films would belong in this category.

And did any of them exploit the horrific personal experiences of your neighbours for profit, without regard for them?

Are you really not seeing a potential difference between Karla and "Thelma and Louise"?

Apart from being about real, still living and not fictional people, the film just really obviously (I'll say confidently, without having seen it or read much of anything about it) is not Sophie's Choice ... if it were, I wouldn't expect to see a TV sitcom star in the lead role. Not that such a person is "inherently bottom-drawer"; I'd just expect a serious treatment of such a serious subject to attract rather more serious talent.


From the CBC's review:

http://www.cbc.ca/arts/film/karla.html

... It didn’t help that director Joel Bender’s filmography includes such titles as Jennifer is Dead and Gas Pump Girls. Media reports also noted that the actors cast as serial killers Homolka and husband Paul Bernardo were Laura Prepon (That ’70s Show) and Misha Collins, performers associated with the medium of television — as if this distinction somehow made them inherently bottom-drawer. ...

Clearly, exploitation is in the eye of the beholder, but Karla has merits that make it something other than just utter sleaze. Despite a limited budget, it is well shot and is buoyed by a solid cast, especially its two leads. ...

... As horrid as this story may be, it is inarguable that many great filmmakers have made films about murderers that were based on true stories — Hitchcock (Psycho), Scorsese (Taxi Driver), Tobe Hooper (The Texas Chainsaw Massacre), Jonathan Demme (Silence of the Lambs), among others. Many are now regarded as important, groundbreaking cinematic art. Some, such as Spike Lee’s Summer of Sam, were released despite the protests of victims’ families. My verdict is that Karla is neither a masterpiece nor a disaster. It has its strong moments, but feels much like a better-than-average movie-of-the-week (though perhaps a bit too extreme for the mainstream TV networks).
I'm really not sure why someone like Serge Losique would be wanting to show "a better-than-average movie-of-the-week" at a venue like the Montreal World Film Festival ... other than as a participant in the exploitation.

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Pierre Trudeau Donating Member (206 posts) Send PM | Profile | Ignore Tue Aug-23-05 01:55 PM
Response to Reply #12
14. my point is not about Losique
First of all, I already stated that I don't care about why Losique backed off from including Karla in his festival, that's his prerogative. I did take issue with other posters imputing motives to him that were unsupported by his public statements.

"There is apparently an entire film studies course worth of thought about "exploitation cinema", so presumably, for starters, it exists, in learnèd opinion."

Sure, as a grizzled old film buff I am also aware that the term "exploitation cinema" is a very loose catch-all term to describe a variety of genres and sub-genres that are generally not "A-list" films. But there has never been a clearly defined category of that name, the way that (for instance) the "Dogme 95" genre is clearly demarcated.

I never needed to take a university course on the subject to appreciate a variety of films which might be categorized by someone as "exploitation".

The early films of David Cronenberg were summarily dismissed as "exploitation". He is now considered our country's greatest filmmaker, but I'm sure some people still revile those early films. I don't, but I respect their assessment of them... provided they've actually seen them themselves.

Your comparison of so-called "exploitation films" to nazism hardly dignifies a response.

"Me, I have no patience for people who form and shout opinions about things without knowing anything about them."

Well, I presume with that statement you are referring to the other posters in this thread, who are waxing indignant about a film they haven't even seen.

As for me, I made it clear that I will reserve judgement on the merits of Karla until I actually see it for myself (which I do indeed plan to do).

And believe me, I do "know something" about the issues broached in this topic. I am a professional artist myself. For the past 10 years, I have succeeded in making a living from my creative work. Artists are constantly fighting these battles about what is "worthy" and what is "art" versus "exploitation". There is no easy answer, it is largely subjective. There are undoubtedly people who will dismiss some of my creative work as "tasteless" or "exploitive" or "without socially redeeming value". My response to them is that art is not required to be "tasteful" or "socially redeeming". In fact, many great works of art caused enormous controversy and outrage when they first appeared, and for better or worse, had a great social impact that resonated throughout history.

No less an artist than Pablo Picasso once said: "The chief enemy of creativity is so-called 'good taste'."

You don't need to lecture me on the difference between a film festival and a local cineplex. I am well aware of the distinction, and it is completely irrelevant to the points I am making.

"And did any of them exploit the horrific personal experiences of your neighbours for profit, without regard for them?"

Once again, someone is imputing motives to someone, in this case the producer they haven't spoken to, of a film they haven't seen. Can you be certain that the filmmakers had "no regard" for the victims of Bernardo? From the news reports I have read, it seems they have gone to great lengths to take the families into consideration, and have even arranged a special early screening intended presumably to assuage their fears.

Any films based on true-life stories will inevitably touch upon the actual personalities involved. I suspect that relatives of Aileen Wuornos's victims may have decried the film "Monster" for "exploiting" them, but they weren't able to prevent it from winning Academy Awards.

And according to your logic, shouldn't all decendants of holocaust survivors pillory Steven Spielberg for making money from "Schindler's List"?

"Are you really not seeing a potential difference between Karla and "Thelma and Louise"?"

Where, in any of my posts, did I make such a comparison?

For one thing, "Thelma and Louise" is a work of pure fiction. I assume from the tone of your statement that you consider this film to be "worthy art" (I presume you have actually seen it), whereas "Karla" is mere "exploitation" (even though you HAVEN'T seen it).

"the film just really obviously (I'll say confidently, without having seen it or read much of anything about it) is not Sophie's Choice ... if it were, I wouldn't expect to see a TV sitcom star in the lead role."

Hm, I guess that makes a film like "The Opposite of Sex" mere dreck, since it features TV sitcom star Lisa Kudrow. Likewise, anything featuring George Clooney must be a piece of crap. Same goes for anything with Bill Murray.

But I suppose if Meryl Streep had been chosen to play the role of Karla, you would be rushing to defend it.
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iverglas Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 02:56 PM
Response to Reply #14
18. oh look, it must be the internet
Your comparison of so-called "exploitation films" to nazism hardly dignifies a response.

Would a clever, educated fellow such as yrself really say a thing like that in real life?

It's amazing how people can lay claims to being clever and educated ... and then either fail to grasp, or pretend to fail to grasp, the entire concept of "analogy".

Just in case you're really in the dark on this one, I DID NOT "COMPARE" EXPLOITATION FILMS TO NAZISM. And I really think you're perfectly aware that I did no such thing. Why you'd choose to pretend otherwise, I don't know. (If you really do think that that's what I did, you need to be in a remedial logic class somewhere rather than on this board.)

Here's what was actually said:

And even if a film can be considered "exploitation", the fact that such films are the subject of university courses, as demonstrated above, suggests that there is still some value to them.
Hardly. It demonstrates that they exist, and that the phenomenon of their existence is worth studying.
Is there value to Nazism, simply because there are university courses for studying it?


YOU asserted that the fact that something is the subject of university courses suggests that it has value.

I pointed out that your assertion was nonsense, by presenting another example of something that is the subject of university courses, and that plainly has no value (in the opinion of you and me, the ones relevant here).

My too obvious point was that the fact that something is the subject of university courses is NOT any indication that it has value, and I made that point by offering an obvious example to illustrate it.

I get enough of this kind of duncery/disingenuousness in the gun dungeon to keep me busy, and don't need it here.

Are you really not seeing a potential difference between Karla and "Thelma and Louise"?"
Where, in any of my posts, did I make such a comparison?

I don't know; where in my post DID I STATE OR SUGGEST THAT YOU DID?

What IS this aversion to abstract thought? The INABILITY to engage in abstract thought is a classic indication of psychosis, but I've never been persuaded that lack of ability is the problem in situations like this.

"Thelma and Louise" was shorthand for "a film that explores a subject common to exploitation cinema in a way that has artistic / social merit that distinguishes it from the exploitation genre". I really didn't think that, in the context, this was too obscure to be understood. Particularly since you hadn't compared "Karla" to "Thelma and Louise" ... so it would have been rather bizarre of me to suggest/claim that you had, and interpreting my words as having such a bizarre meaning would just be, well, rather bizarre.

And according to your logic, shouldn't all decendants of holocaust survivors pillory Steven Spielberg for making money from "Schindler's List"?

Why ask me? You seem to think you know the answer -- why not just give us the demonstration of how, ACCORDING TO MY LOGIC, AND USING MY WORDS rather than your own bizarre interpretation of them, all descendants of holocaust survivors should be pilloring Steven Spielberg?

For one thing, "Thelma and Louise" is a work of pure fiction. I assume from the tone of your statement that you consider this film to be "worthy art" (I presume you have actually seen it), whereas "Karla" is mere "exploitation" (even though you HAVEN'T seen it).

Some people are just so much happier when they're telling other people what they think than when they're thinking, I find. Oh, and attempting to patronize people about whom they know nothing in laughable ways; that seems to make a lot of people happy too.

Hm, I guess that makes a film like "The Opposite of Sex" mere dreck, since it features TV sitcom star Lisa Kudrow. Likewise, anything featuring George Clooney must be a piece of crap. Same goes for anything with Bill Murray.

Like I wuz saying ... do feel free to take that course in logic, or maybe just in civility.

But I suppose if Meryl Streep had been chosen to play the role of Karla, you would be rushing to defend it.

Hey, you can suppose that the moon is made of green cheese if you like. No skin off my nose.

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Pierre Trudeau Donating Member (206 posts) Send PM | Profile | Ignore Tue Aug-23-05 03:32 PM
Response to Reply #18
20. hold still, stop wriggling
"It's amazing how people can lay claims to being clever and educated ... and then either fail to grasp, or pretend to fail to grasp, the entire concept of "analogy"."

Yes, yes, fine, I understood your analogy perfectly well, and in itself it is perfectly valid. Ultimately I would say that there is nothing to be gained by gauging the "value" of anything based on whether it's studied at a university or not.

How about I come right out and state for the record that I actually LIKE a lot of films which would be characterized as "exploitation films". Moreover, I DO believe some of them have value, whether artistic, social insight, historical curiosity, or whatnot. I realize not everyone would see the value that I see, but as I keep saying, such assessments are purely subjective. There is no scientific method to evaluate the "merit" of any work of art (or exploitation, if you will).

It's interesting how you seized upon this one little sentence in my post and elaborated upon it for half your post, while ignoring any of the other points I was making.

As for the "Thelma and Louise" comparison, well obviously I am capable of abstract thought, since I correctly extrapolated the subtext of your original sentence... or as you put it:

""Thelma and Louise" was shorthand for "a film that explores a subject common to exploitation cinema in a way that has artistic / social merit that distinguishes it from the exploitation genre". I really didn't think that, in the context, this was too obscure to be understood."

Not obscure at all to me, except for the somewhat insulting assumption that EVERYBODY recognizes the "merit" of "Thelma and Louise" and how could I possibly disagree with its status as high cinematic art.

Even if I accepted the lofty status of "Thelma and Louise", the fact remains that without seeing "Karla", NONE of us is in a position to evaluate its "merits" or lack of same. So to ridicule me for allegedly holding the two films as being on the same level is still illogical: one is a known quantity, the other isn't (because none of us have seen it).

And your final protestations that I am twisting your logic or putting words in your mouth seem to be the result of you trying to wriggle away from your apparent statement that a film cannot be considered worthy if it features a TV sitcom star. I merely pointed out a number of cases where actors who got their start in TV series went on to play acclaimed roles in "quality" films. Who would have thought, at the time of "21 Jump Street", that Johnny Depp would become such a celebrated film actor?

Sorry if I appear to be uncivil, it's not my intention, but I find it a useful debate tactic to pursue the other person's logic to its extremes. It is a valid approach.


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iverglas Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 05:11 PM
Response to Reply #20
23. actually
It's interesting how you seized upon this one little sentence in my post and elaborated upon it for half your post, while ignoring any of the other points I was making.

I actually wasn't going to bother even reading your other points, when I started, because I am so off put by the kind of behaviour that I addressed at such length that I seldom feel like pursuing a discussion.

How about I come right out and state for the record that I actually LIKE a lot of films which would be characterized as "exploitation films". Moreover, I DO believe some of them have value, whether artistic, social insight, historical curiosity, or whatnot. I realize not everyone would see the value that I see, but as I keep saying, such assessments are purely subjective. There is no scientific method to evaluate the "merit" of any work of art (or exploitation, if you will).

Well, that's as may be. But the relevant point would be that, I think we can assume, Serge Losique and the Montreal WFF do have standards that they apply to films they seek out or accept for screening ... otherwise they'd be showing the latest instalment of Police Academy.

I was not disputing their assessment of the merit of Karla ... I was suggesting that they themselves did not claim that it had merit.

And in that case, I'm not too ready to start crying "censorship!" even when a commercial sponsor threatens to pull money. The sponsor didn't sign up to be associated with Police Academy XLVII or with an exploitation film. It signed up to be associated with an event that is guided by the artistic assessments of Serge Losique and his crew, not by his desire to make money by offending a large segment of the community for no other reason than to make money.

If I'd heard some strong commentary from Losique about the artistic or other merit of Karla, I might think different.

Now -- I *will* absolutely readily acknowledge the difficulty that someone like Losique would find himself in, faced with a sponsor's opposition to something he wanted to do, if he were to want to speak out against the sponsor's interference. Even if he wanted to defend the work in question, he might choose not to for pure reasons of survival. That's the kind of decision I would seldom fault someone for.

(My own moderate familiarity with things film-ic, apart from a fairly broad base of my own knowledge of a variety of things, comes from having a brother who is an expert/academic in the field, and who has written extensively on issues of censorship and self-censorship in the arts world. I'm not unaware of or insensitive to problems and the whole wide range of issues that are in play.)

But here, I haven't seen anyone making the case for Karla having merit beyond the box office, and as I understand it, Losique did not do so during the time he planned to screen it.

Not obscure at all to me, except for the somewhat insulting assumption that EVERYBODY recognizes the "merit" of "Thelma and Louise" and how could I possibly disagree with its status as high cinematic art.

You just want to keep on going, don't you?

Using something as shorthand, as I did, really just does not imply universal and indisputable agreement about anything, or that I allege that such agreement exists; it actually doesn't even necessarily imply that *I* accept the icon used as a symbol of the broader class in question. *I* might think that Thelma and Louise is pure trash, and still use it to symbolize the class I was referring to, because it would be recognized as symbolic of that class even by someone who didn't agree that it belonged there.

And your characterizing my statement that "Thelma and Louise" was shorthand for "a film that explores a subject common to exploitation cinema in a way that has artistic / social merit that distinguishes it from the exploitation genre" as my having said that it had "status as high cinematic art" ... well, when you can't rebut something, misrepresent it, eh?

So to ridicule me for allegedly holding the two films as being on the same level is still illogical: one is a known quantity, the other isn't (because none of us have seen it).

The ridiculing going on here has never been on my side.

I asked that you acknowledge something:
Are you really not seeing a potential difference between "Karla" and "Thelma and Louise"?
You seem to be acknowledging it. Wouldn't it have been a lot easier, and really a lot more fun, just to do that in the first place and proceed from there?

And your final protestations that I am twisting your logic or putting words in your mouth seem to be the result of you trying to wriggle away from your apparent statement that a film cannot be considered worthy if it features a TV sitcom star.

Gee. IF ONLY I had made ANY SUCH FUCKING STATEMENT.

I think I'm done.

And you can call anything else I might ACTUALLY SAY "wriggling" whenever and all you like. I'll call the effort to engage in discussion by bringing relevant facts and arguments to it rather than smattering pointless opinions around "civil discourse", myself.

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Pierre Trudeau Donating Member (206 posts) Send PM | Profile | Ignore Tue Aug-23-05 08:01 PM
Response to Reply #23
27. take some responsibility for what you say
Edited on Tue Aug-23-05 08:05 PM by Pierre Trudeau
"I actually wasn't going to bother even reading your other points, when I started, because I am so off put by the kind of behaviour that I addressed at such length that I seldom feel like pursuing a discussion."

What sort of "behaviour" is that? What have I done? Re-reading this thread, I maintain that I have taken great pains to outline my points clearly and rationally. Am I mistaken or is this not a "discussion" forum where people can engage in debate about current events?

Or is it supposed to be merely a cheerleading squad for a narrow range of left-wing sanctimony?

You then proceed to crank out another seven paragraphs about Serge Losique and the WFF's decision not to screen "Karla", even though I repeatedly made it clear that I was not taking issue with that decision. As far as I'm concerned, if Losique had stated that he pulled the film because the tooth fairy told him to, I would just shrug and say, "Well, it's his festival, he's the programmer, that's his right. I hope he got a quarter under his pillow."

Let me be very clear: I do not see this as an issue of censorship. Censorship is when the state arbitrarily restricts the freedom of expression. However, it does seem to be an issue of censoriousness, which is a phenomenon of ignorant citizens vocally condemning a product of free expression of which they have no first-hand knowledge, based merely on hearsay, misguided principles, and goaded on by interest groups. Sometimes it lead to the same results as outright censorship.


(Me): So to ridicule me for allegedly holding the two films as being on the same level is still illogical: one is a known quantity, the other isn't (because none of us have seen it).

(You): The ridiculing going on here has never been on my side.
I asked that you acknowledge something:
Are you really not seeing a potential difference between "Karla" and "Thelma and Louise"?
You seem to be acknowledging it. Wouldn't it have been a lot easier, and really a lot more fun, just to do that in the first place and proceed from there?


Uh sure, but what's the point? I would also admit seeing a "potential difference" between a bicycle and a Flying Spaghetti Monster. But since I haven't yet been fortunate enough to see the Flying Spaghetti Monster first-hand (OK I have seen some wonderful drawings of Him), I wouldn't be able to say exactly what the differences are.

What's important is that it's presumptuous for anyone to say whether "Karla" has the same amount of "artistic/social merit" as "Thelma & Louise", because none of us has seen it.


(Me): And your final protestations that I am twisting your logic or putting words in your mouth seem to be the result of you trying to wriggle away from your apparent statement that a film cannot be considered worthy if it features a TV sitcom star.

(You): Gee. IF ONLY I had made ANY SUCH FUCKING STATEMENT.


Here is your original statement:

"the film just really obviously (I'll say confidently, without having seen it or read much of anything about it) is not Sophie's Choice ... if it were, I wouldn't expect to see a TV sitcom star in the lead role."

Now of course it would be naive to conclude that by this you simply meant that "Karla" is not the same film as "Sophie's Choice", which should be self-evident to anyone. So I need to analyze this sentence to parse what you really mean.

It seems reasonable to conclude that your reference to "Sophie's Choice" is "shorthand" for "a respectable film with artistic/social merit as opposed to a piece of exploitative trash". You then reveal your "expectations": since it has a TV sitcom star in the lead role, it therefore is probably not one of these "respectable films with artistic/social merit"... a questionable proposition, as I demonstrated above by referring to films of merit starring TV actors.

But I admit the possibility that my analysis might be mistaken. Can you enlighten me on how I should have interpreted your remarks??


"I'll call the effort to engage in discussion by bringing relevant facts and arguments to it rather than smattering pointless opinions around "civil discourse", myself."

Well, I am making an honest effort here. The arguments I have brought forward do seem relevant to the topic. And can you enumerate exactly which "opinions" are "pointless"?

Since the issues at stake here involve freedom of expression, art, the question of "merit" and so forth, I figured that being a long-time professional artist, I might be more capable than most of providing an informed opinion.




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iverglas Donating Member (1000+ posts) Send PM | Profile | Ignore Wed Aug-24-05 09:44 AM
Response to Reply #27
31. I'd love to
Unfortunately, the mere saying of it would get the post deleted.

What sort of "behaviour" is that? What have I done?

In the case of your responses my posts, to which I was specifically referring, you have gone out of your way to misrepresent quite a number of things I have said, and then mocked / denigrated what I said, and myself, based on your misrepresentations of what I said.

In the case of the thread in general, you have behaved as if no one's concerns but your own are worth being expressed or considered, and no one but yourself has the intelligence / integrity to express any opinion worthy of bandwidth or consideration.

I have not seen ANYONE else in this thread behave in this way in conversation with you. No one has caricatured your words or opinions, no one has associated you or what you have said with unsavoury ideas or groups, no one has purported to be so vastly more qualified than you to address the issues at hand here that everything you say can be dismissed with a snort ... after it's been misrepresented.

Am I mistaken or is this not a "discussion" forum where people can engage in debate about current events?

You do seem to be mistaken about something -- but it appears to be about what "discussion" consists of.

I fully understand that some issues prompt strong emotions and serious intellectual objection. I have never regarded this as being grounds for ridiculing or denigrating other people who have indicated that they are in fact interested in discussing the issues.

Let me be very clear: I do not see this as an issue of censorship.

Good, because obviously at this point it isn't. Now, if an injunction were obtained, perhaps based on the Quebec Charter provisions I cited, it would indeed be an issue of censorship -- individuals would have succeeded in bringing the state apparatus into action to inhibit the free circulation of and that is why I inserted that element of the discussion. Private responses to things *can* become or prompt public responses, and that is one way in which it could happen in this particular instance.

There was actually a reason why I brought up the Quebec Charter, and this was it: to point out an implication of the private opinions, and also explain (the social / political choices within a culture) why such responses are possible. *Not*, I'm sure I actually have to point out, why I believe such responses are proper, since I did not in fact express any opinion about that issue at all. I prefer that the facts I draw on in forming an opinion be known and understood and considered before anybody starts flinging opinions around.

Now the thing is ...

However, it does seem to be an issue of censoriousness

... how exactly is the behaviour you object to any different from the behaviour you have exhibited? --

ignorant citizens vocally condemning a product of free expression of which they have no first-hand knowledge, based merely on hearsay, misguided principles, and goaded on by interest groups

There is actually no objective standard by which your own behaviour could be excluded from that description. Make no mistake: a "long-time professional artist" is just as much a member of an "interest group" as anyone else is. Artists may have pure and high-minded reasons for objecting to interference in their free expression; they also have a pecuniary interest in not being interfered with. You are really not a paragon of virtue here, nor a source of unbiased opinion, nor an impartial arbiter of the virtue or merits of anyone else's opinion.

If you think that your point of view equips you to bring something to the discussion that others may not have considered, or considered adequately, then by all means offer it up. There should be no problem in doing so without misrepresenting what someone else is saying, or insulting him/her for saying it.

There also should be no problem in seeing and acknowledging the legitimacy of other people's concerns. It simply is not illegitimate to be concerned about the exploitation of individuals' misery for profit. Frankly, only psychopaths aren't.

If someone refuses to acknowledge the legitimacy of someone else's concerns when those concerns really are the stuff of humanity, one can only suspect that s/he is afraid that his/her own position is so weak that it cannot stand against such concerns. "Agreeing to disagree" can in some instances be tacit admission of not having a leg to stand on; so, obviously, is the disingenuous discourse in which the nature of the disagreement is so misrepresented that the interlocutor becomes a straw concoction, full of evil intent and stupidity, when there is simply no basis for ascribing either characteristic.

And there really should also be no problem in recognizing nuance and fine distinction and grey areas, and acknowledging that different people will draw lines in different places because of the varying emphasis they place on various factors. "Agreeing to disagree" really *is* the solution to many problems in a society -- simply, not everyone is going to agree with where someone else draws a line, and the societal function is to come up with the best "agreement to disagree" solution.

All of that can be discussed. If you think that someone's freedom of expression interest should outweigh someone else's psychological or physical security interest, you're at liberty to say WHY, with all the facts and arguments you can muster for that purpose.

But carrying on about how the interest that one privileges just trumps the interest that someone else privileges, or achieving the same end by mischaracterizing the interest that one claims is trumped or the person who asserts that interest -- in an effort not to persuade, but to get one's own way -- just isn't democratic discourse; it's demagoguery. And it's inimical to democracy ... and all the things, like liberty, that we associate with it.

Essentially, shouting someone else down in the cause of free expression just isn't really clever.

Characterizing people whose goodwill and honesty and intelligence you simply have no reason to doubt as "ignorant citizens vocally condemning a product of free expression of which they have no first-hand knowledge, based merely on hearsay, misguided principles, and goaded on by interest groups" just isn't consistent with democratic principles.

Uh sure, but what's the point? <of acknowledging the potential difference ...>

Well, if what and all you want is to get your own way: none.

If what you want is to engage in a discussion in which either or both parties might learn something, in terms of either facts or ways of looking at them, that might influence their thinking, then it's really just a good idea to aknowledge that they just might have reasons for the things they say. You don't even have to acknowledge that the reasons are good ones. You just have to acknowledge that not everyone who disagrees with you is necessarily ignorant, judgmental and misguided and the willing dupe of some evil force.


Just one last illustrative point:

You then reveal your "expectations": since it has a TV sitcom star in the lead role, it therefore is probably not one of these "respectable films with artistic/social merit"... a questionable proposition, as I demonstrated above by referring to films of merit starring TV actors.

You actually didn't demonstrate anything. You produced exceptions to a general rule, which I did not state as a rule that did not admit of exceptions. I stated what my expectation would be. What I see *you* doing is claiming that the star of a thing called "That 70s Show", which I have never thought worthy of a minute of my time, who is now starring in a movie that no one has claimed to have any particular social or artistic merit or even to be of any special entertainment value, is the precise equivalent of George Clooney, who was the star of a reasonably well-regarded drama and then starred in some films that were at the very least eminently clever and entertaining.

You have again simply twisted what I said. I did not say that no TV star has ever appeared in a "worthwhile" movie. I stated my expectations in respect of the movie Karla, based both on what I have read about it (you know -- INFORMED OPINION, like what you say you have been trying to hand out and others should listen to) and what I know about the talent employed in it.

You do know what straw-person arguments are, right?

And I have to assume that you have noticed that I have expressed no opinion about whether, for instance, an injunction should be granted to prevent the screening of this movie, or a corporate sponsor should be pressured to accept/reject the decision to screen it/not screen it, or much of anything else.

I just don't bother doing that unless I have some confidence that the basis I present for my opinion is not going to be misrepresented by someone who has an interest in discrediting me and my opinions. And given the eagerness with which you have set about attempting to discredit people who disagree with you in this thread without the least actual basis for doing that -- e.g. by characterizing them as ignorant and dim-witted and uncritical, and yourself as informed and virtuous -- I haven't yet seen much point.

Any time you want to take a shot at it, I'll be listening.

You could start by acknowledging the simple fact that the dignity of the individual *is* a value that Canadian society is founded on -- that's the principle behind the courts' rejection of denying same-sex couples access to the institution of marriage. And that individuals' interest in psychological security *is* recognized and protected in our society -- that's how the provision of the Charter guaranteeing "security of the person" has been interpreted; and that the state has a duty to prevent grave interferences in that security -- as is done in Canada through legislation prohibiting incitements of hatred of members of vulnerable groups, for instance.

*You* may be of the opinion that certain manifestations of these values, and certain mechanisms for promoting them and protecting the people they are meant to protect (like that last one I cited), are not desirable or legitimate. And you're free to argue those points.

But the thing is, loonytarianism just really is not the guiding principle of Canadian society. The notion that no one's liberty should be interfered with in someone else's interest just isn't the one that we apply. We do consider the public interest, and the interests of other individuals, when deciding what restrictions on individual choices and actions are legitimate and justified. You can argue against that too, of course, as a matter of principle. But as a matter of how things are decided in Canada, this is what trumps:

1. The Canadian Charter of Rights and Freedoms guarantees the rights and freedoms set out in it subject only to such reasonable limits prescribed by law as can be demonstrably justified in a free and democratic society.
You may be of the view that any interference in free expression is not justified in a free and democratic society -- or perhaps that even if that standard is met, it is a bad standard.

However, I'm quite sure that you yourself draw a line somewhere. I expect that you would agree that laws against perjury are justified, and that laws against advertising snake oil to cure cancer are justified, and perhaps that laws against counselling the commission of murder are justified. Perhaps you draw an immovable line between "artistic expression" and those sorts of expressions. Perhaps you have good arguments to make, and facts to offer, to support that position. Perhaps you can even tell where to draw the line. Like ... maybe you can distinguish between torturing an animal to death for the sheer pleasure of it and torturing an animal to death for the sake of art.

I don't expect you or anyone else to be able to "prove" that your opinions are "right". That's a nonsense. I simply expect you not to pretend to have proved that someone else's are "wrong", by caricaturing the opinions, and denigrating the people who hold them when there really just isn't any basis for doing that.






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Pierre Trudeau Donating Member (206 posts) Send PM | Profile | Ignore Wed Aug-24-05 12:04 PM
Response to Reply #31
35. these issues deserve a topic of their own

I'll wrap up the "Karla" discussion now. But your post has raised a number of very interesting and important issues relating to free expression, individual liberties, the charter, and so forth.

It seems impractical to burden this thread by delving into the meat of those discussions. But it IS a discussion worth having, and I promise I'll do my best to participate in a rational, civil manner, as you are clearly a worthy debating opponent.

But for now, I'm going to visit my folks for a few days, so I'd have to get back to it later. In the meantime, thanks for your patience.
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iverglas Donating Member (1000+ posts) Send PM | Profile | Ignore Wed Aug-24-05 12:17 PM
Response to Reply #35
36. well fine

But since you're planning to be absent for my birthday, you must offer greetings and well-wishes before leaving.



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C_Banana Donating Member (21 posts) Send PM | Profile | Ignore Tue Aug-23-05 04:11 PM
Response to Original message
21. Bah
I'm certainly not interested in seeing the movie but I think it does have the right to be seen. As long as nothing illegal was done during the shooting of the movie, I don't see how people have any right to say things should be never be seen. If you don't want to watch it, no one is going to force you to do it.
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iverglas Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 05:06 PM
Response to Reply #21
22. well, that's sho nuff the loonytarian view

I'm certainly not interested in seeing the movie but I think it does have the right to be seen.

You might just want to note that movies don't actually have rights.

As long as nothing illegal was done during the shooting of the movie, I don't see how people have any right to say things should be never be seen.

Conversely, of course, people actually do have the right to say pretty close to anything they want, very definitely including that.

And I'm sure a real loonytarian would agree.



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Pierre Trudeau Donating Member (206 posts) Send PM | Profile | Ignore Tue Aug-23-05 08:28 PM
Response to Reply #22
28. here's another "loonytarian" view
"in Canada, and this includes Quebec, we have never known tyranny except for its figurative forms, for example the tyranny of public opinion. I am, however, far from considering that particular form the least terrible. For public opinion seeks to impose its domination over everything. Its aim is to reduce all action, all thought, and all feeling to a common denominator. It forbids independence and kills inventiveness; condemns those who ignore it and banishes those who oppose it."

-- Pierre Elliott Trudeau


If those of us willing to stand up for individual liberties and free creative expression are to be tagged with the dismissive appellation "loonytarian", then I'll happily accept the label. In fact, since it would also apply to the original Pierre, I'd consider myself in good company.

Still, it hardly seems more sophisticated than the epithets frequently hurled by some conservatives (or as we looneytarians prefer to call them, "authoritarians") at the "loony left".
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C_Banana Donating Member (21 posts) Send PM | Profile | Ignore Wed Aug-24-05 03:35 PM
Response to Reply #22
38. Rebuttal
"Conversely, of course, people actually do have the right to say pretty close to anything they want, very definitely including that."

I admit. I used terrible language to describe my thoughts on the matter. You have the right to your opinion even if I think it's an unhealthy one.

Here's what I should have said. The idea of banning a movie because of some people's tastes is an inherently bad idea. Mostly it's a bad idea because it's a very grey area to explore. There's also a much better option. If you hate a particular movie, don't go to the theatre to buy the movie ticket.
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iverglas Donating Member (1000+ posts) Send PM | Profile | Ignore Wed Aug-24-05 04:35 PM
Response to Reply #38
39. and if only ...
You have the right to your opinion even if I think it's an unhealthy one.

If only ... I had expressed any opinion ...

The idea of banning a movie because of some people's tastes is an inherently bad idea.

If only ... that were an accurate and honest characterization of what anyone in this thread has said ...

... then you'd have a point.


There's also a much better option. If you hate a particular movie, don't go to the theatre to buy the movie ticket.

And hey, if you hate a particular brand of snake oil, don't buy it.

No reason that anybody else shouldn't be able to advertise it as a cure for cancer, eh?

Lordy. If I ever engaged in such disingenuous trivialization of someone else's opinions, I'd die of shame.


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C_Banana Donating Member (21 posts) Send PM | Profile | Ignore Wed Aug-24-05 06:53 PM
Response to Reply #39
41. I'll discuss and argue the points in your post that I understood.
Edited on Wed Aug-24-05 06:54 PM by C_Banana
1) First of all, I don't see a difference between banning a movie and making sure it's not seen anywhere. There is really is no practical difference. Making sure a movie isn't shown at the Montreal film Festival is a step in that direction.

2) I fail to see the connection between false advertising and movie tastes. I have a hard time believing that someone is advertising that the Karla Homolka movie cures cancer.

3) The only way I'm trivializing someone else's opinion is by arguing my own counter opinion.
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jim3775 Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-23-05 08:49 PM
Response to Original message
29. To all opposed to showing the film: Should we boycott Law & Order?
Edited on Tue Aug-23-05 08:59 PM by jim3775
Law & Order is famous for its "ripped from the headlines" storylines. One of the headlines it ripped from is the Homolka and Bernardo killings. The show also dramatizes other "true crime" stories and 'law & order: special victims unit' practically does a new sexual assault/rape/child molestation storyline every week.

The Homolka Bernardo episode originally aired on NBC (and showed in Canada) and constantly airs in repeats on Canadian cable stations and there is hardly a peep about it.

So my questions to you are:

Are you planning to boycott NBC and its advertisers?

Should all future airings of this episode be banned?

Which crimes are okay to dramatize and which crimes are not?
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iverglas Donating Member (1000+ posts) Send PM | Profile | Ignore Wed Aug-24-05 10:59 AM
Response to Reply #29
33. I dunno
Do YOU see a difference?

If you don't, I could try to explain it to you, but I might not have much luck. If you don't see it now ... or refuse to acknowledge that you see it ... trying to get you to see it / acknowledge that you see it might be kinda pointless.

Maybe this would help: acknowledging the difference wouldn't actually mean that you would have to agree that Karla should be boycotted, or that film festivals or theatre companies should be prohibited from screening it.

It would actually just mean that you accepted the possibility that not everyone who disagrees with you is a moron or a minion of the forces of evil, and that s/he might have some reason for the things s/he says that might be worth considering, even if you don't agree with his/her reasons or the conclusions s/he draws from them.

Gosh, if you did that, who knows? You might even be able to persuade the person in question that his/her reasons weren't good enough to support the conclusion s/he has stated. But hell ... what fun would that be?


Allow me to illustrate the point.

Law & Order is famous for its "ripped from the headlines" storylines. One of the headlines it ripped from is the Homolka and Bernardo killings. The show also dramatizes other "true crime" stories and 'law & order: special victims unit' practically does a new sexual assault/rape/child molestation storyline every week.

The Homolka Bernardo episode originally aired on NBC (and showed in Canada) and constantly airs in repeats on Canadian cable stations and there is hardly a peep about it.

So my questions to you are:


Why do you think that movies that portray, in fine and graphic detail, the torture and murder of children should be shown on television?

Should all laws against presenting visual portrayals of the torture and murder of children for profit be eliminated?

Are you planning to boycott every television station that doesn't offer a weekly airing of a movie or series episode consisting of an accurate and realistic and detailed presentation of the torture and murder of several children?


Gosh. I'll bet you're steaming, and wondering how I could possibly think that just because you think no one should object to fictionalized police procedural incorporating the basic facts of horrific real-life events being shown on television, you think that graphic depictions of the torture and murder of children should be presented on television (basic cable, mind you) and you would object to any television not doing so.

Well, heck. I can't tell the difference between a television station showing a fictionalized police procedural incorporating the basic facts of a horrific real-life event and a television station showing Dick and Jane get Whipped, Sodomized and Garotted. So, by your logic, we should all be calling on the CRTC to force CTV to show the flick in question.

Have I got it right, now?

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jim3775 Donating Member (1000+ posts) Send PM | Profile | Ignore Wed Aug-24-05 12:36 PM
Response to Reply #33
37. Im not steaming and I think your reply is silly.
Edited on Wed Aug-24-05 12:39 PM by jim3775
Since you are only going to question my motives (which you got wrong btw) instead of answering my questions, I'm not going to argue with you. Don’t bother to reply, I made my point and I'm ignoring this thread.


Edit: Fixed bad c&p job
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iverglas Donating Member (1000+ posts) Send PM | Profile | Ignore Wed Aug-24-05 04:39 PM
Response to Reply #37
40. you can't quit, you're fired

Since you are only going to question my motives (which you got wrong btw)

... then I guess I'll have to fall back on questioning your capacity for critical thinking.

If you thought that your "questions" were appropriate -- i.e. if you thought that they expressed "logical" extensions of what someone else had said, which you plainly either thought or were purporting to think -- and if it wasn't your motives that were a-kilter, then it had to be your brain that was in low gear. Unless there's another possibility, which there may be, and which I really wish someone would explain to me, 'cause I've just never yet come up with any other explanation for such gross misrepresentations of other people's words and beliefs.

Oh well.

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jackbourassa Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-30-05 02:12 AM
Response to Reply #40
42. With all this insight...my two cents...
Censorship bad.
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iverglas Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-30-05 09:24 AM
Response to Reply #42
43. I'll have my money back now, please
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jackbourassa Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-30-05 07:42 PM
Response to Reply #43
44. Again...
Why do people think it's okay to censor movies in Canada?

I mean I know only vaguely about this story (from Ohio). But it seems worthy of movie depiction. It was a real life event that scared the death out of everyone. In the US, this would have been turned into a film years ago.

I can't speak to the quality of the film or if it's accurate. But the only thing I have heard about this film is how Canadians want it banned.

There's something very fascist and creepy about banning movies or even boycotting them.

Second, don't you think that all the attention you are giving this movie will actually INCREASE the demand to watch it? Let people make up their own minds about watching this film. I would watch it only to spite people who tell me I shouldn't.

So you may be hurting your own position.

So, I live by a very simple philosophy (and I recommend Canadians do as well): censorship bad. freedom good.
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iverglas Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Aug-30-05 08:00 PM
Response to Reply #44
45. I just dunno
Why do people think it's okay to ask stupid questions in Ohio?

In the US, this would have been turned into a film years ago.

Ah yes. And doesn't that just say everything.

There's something very fascist and creepy about banning movies or even boycotting them.

Sez you. Whose opinion no one really requested.

Setting aside the "banning" ... since no banning has been advocated in this thread, that I'm aware of ... you find boycotting creepy and fascist? All boycotting, or just boycotting of movies?

I'm not quite sure what's creepy and fascist about me deciding how I happen to want to spend the money I earn -- whether it be on one movie rather than another, or one brand of soft drink rather than another ... or on soft drinks rather than movies ... and I'm damned if I can figure out what business it would be of yours how I decided to spend my money.

Second, don't you think that all the attention you are giving this movie will actually INCREASE the demand to watch it?

So the fuck what?

Does the fact that you don't want anyone to vote Republican generally stop you from criticizing the Republican party?

Let people make up their own minds about watching this film.

Yes, and let's be just that simplistic when we discuss matters of public interest, and the exploitation of markets (and other things) for profit. I'd like to make up my own mind to watch films about whole lots of things ... so why can't I do it? Where are the films *I* want to watch? How do I make up my mind to watch them if they aren't made? And ... why does the fact that someone makes some particular movie make it worthy of being shown?

I would watch it only to spite people who tell me I shouldn't.

Fortunately, the general public in Canada is evidently at least slightly more mature than you and many of your fellow citizens who really do seem to live by that particular philosophy of life.

So you may be hurting your own position.

Whom are you addressing, anyway?

The only position I expressed in this instance was that I want the return of the 2 cents that your opinion wasn't worth.

But hey, as long as we're recommending philosophies to live by:

So, I live by a very simple philosophy (and I recommend Canadians do as well): censorship bad. freedom good.

I recommend that you put a little more thought into the matter, and not try to teach your grandparents to suck eggs. We've got that whole "freedom" thang -- and, of course, quite a bit of the freedom-from-want, freedom-from-fear stuff that people in your country once cared a little about, too -- going pretty smoothly up here. How's that free-speech-zone thang y'all have down there going? Got sick lately? I guess you're not likely to want an abortion or want to marry your same-sex partner ... so the notable absences of freedom in that respect where you're at won't be bothering you ...

Freedom good. But don't be criticizing the Republicans for taking so much of it away from you, because that will just get them the attention they want.



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Name removed Donating Member (0 posts) Send PM | Profile | Ignore Tue Aug-30-05 11:03 PM
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