That's when I first heard of Wallace, via a clipping sent to me by a friend in Chicago. It was an author profile written right after
Infinite Jest began catching on in a big way.
Coincidentally, this morning I was sorting through old office papers and personal letters and came across that 1996 clipping. I wouldn't have remembered it at all but for the fact that I had chosen to start that chore yesterday.
The original article is archived at the Tribune and available for a price, but the author of that 1996 piece kindly reposted it in his
blog Sunday.
The novel's melancholy tone grew out of observations Wallace was making as he looked outward and inward. "It seemed to me that there was something sort of sad about the country . . . that at a time when our lives are more comfortable and more full probably of pleasure, sheer pleasure, than any other time in history, that people were essentially miserable," he said.
...
"I went through a real bad three years," he said of the late '80s/early '90s, when he lived in Boston (enrolling briefly in Harvard University's Ph.D. program in philosophy) and Syracuse. He even once checked himself into a hospital to be put on a suicide watch.
"In a weird way it seemed like there was something very American about what was going on, that things were getting better and better for me in terms of all the stuff I thought I wanted, and I was getting unhappier and unhappier," he said.
The profile hints at (or, in many cases, overtly describes) all sorts of depression symptoms and observations that Wallace experienced. But it's obvious from his life that he didn't ignore them and in fact actively fought them.
What strikes me most is his comment about being extremely unhappy at a time when his life was growing increasingly better or more successful. In fact, for the entire country, we were on a roll. It was the start of the dot-com explosion, the national mood was high, and yet he still sensed a materialistic malaise -- both in himself and in the country as a whole.
Take that outlook at a time when things in general were extremely positive and switch out the "extremely positive" part with "unbearably disastrous." It's one thing when a country is suffering and acts like it -- look at the masterpieces produced by Dostoevsky -- but America wants to ignore those warning signs, and the denial creates a wholly unhealthy climate. Just as with an individual depressive or suicide, that willful ignorance in a citizenry is an invitation to death and despair. Instead of observing our society and undertaking a healthy scaling back of our consumption, expectations, bravado and attitude at the same time we express our depression and discontent through productive artistic avenues, we pretend everything is fine -- or going to be fine, without any effort on our own parts -- and we unconsciously absorb the disappointment and burden of responsibility for change without a rational system for adequately processing it. We basically make ourselves vessels for unmeasured sadness when we should be checking ourselves into a hospital.