I know there are some fans out there...
The girl who conquered the world
Why we can't get enough of Stieg Larsson's hacker heroine
By Laura Miller
Salon composite
Noomi Rapace, star of the Millennium Trilogy films
Can anyone be seriously contemplating reading "The Girl Who Kicked the Hornet's Nest" who hasn't already read the two previous novels in Stieg Larsson's bestselling Millennium Trilogy, "The Girl With the Dragon Tattoo" and "The Girl Who Played With Fire"? And can there be a reader of those first two books who hopes to resist the third? Anyone who has succumbed to Larsson fever knows what it is to lavish the waking hours of entire weekends on his weirdly matter-of-fact and even more weirdly addictive fiction, surfacing at the end of the binge, bleary-eyed and underfed, wondering what just happened.
So let this installment of What to Read address the Millennium Trilogy as a whole and ponder the secret of its appeal. Certainly the charm doesn't lie in Larsson's prose; it's as flat and featureless as the Scandinavian landscape it ought to be evoking (but doesn't). Those who have proved immune to the Larsson virus protest that the books are filled with clichés, but that presumes the author to be reaching for more color than he is. There are not a lot of hearts pounding or chills running down spines in "The Girl Who Kicked the Hornet's Nest." As Larsson went along, he almost entirely jettisoned the dime-store thriller theatrics; a heart does occasionally "sink like a stone" in the third book, but such moments are few and far between.
Which is not to say that his writing became more terse and economical. If anything, "Hornet's Nest" luxuriates in even more of the pointlessly meticulous, step-by-step detail that marked the first two novels. Here's how one character begins her day:
She blinked a few times and got up to turn on the coffeemaker before she took her shower. She dressed in black pants, a white polo shirt, and a muted brick-red jacket. She made two slices of toast with cheese, orange marmalade and a sliced avocado, and carried her breakfast into the living room in time for the 6:30 television news. She took a sip of coffee and had just opened her mouth to take a bite of toast when she heard the headlines.
I should point out that this is a supporting character briefly introduced in the earlier books, and while she plays a more significant role in this novel, there's really no reason to so exhaustively describe her morning. It's the sort of thing that drives the Larsson naysayers nuts, and even some fans have been known to complain that certain portions of the books "drag." So let me now testify: I love this stuff, although why, exactly, has long been something of a mystery to me.
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http://www.salon.com/books/laura_miller/index.html?story=/books/laura_miller/2010/05/16/girl_who_kicked_the_hornets_nest