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Well, I hesitate to critcize your work, because I don't want to mess up the train of thought you already had going on in your mind; kind of like somebody giving you "advice" on how to walk, and it only makes you so disconnected and self-conscious that you can't do anything naturally or comfortably anymore.
I like this story and think it was very well written. I really like the setting--1940s, just after the War, Midwest, before TV, etc. It can be a very engaging time and place, if you know a lot of details and tell them accurately; kind of like an updated "Our Town," that profound story. One general point to keep in mind, though, not to you personally but to all writers, is that you have to realize that you have to edit. A reverie that enthralls you to dwell on until it gets deeper and deeper and you feel you are there, does not usually translate that way, but actually becomes boring if you aren't sticking to a plot and moving the story along. This is not meant for you; I had to realize it, too. Great description is not necessarily fun to read. Sometimes you just want the author to get on with it.
My approach would be: What atmosphere am I trying to convey here? Call it up clearly in your mind so it is really present before you even begin to write. Where is the story going? You should roughly, not specifically, know, so that you were always coherently gearing things toward that end. It also helps you to keep on track, and not just lose yourself amongst endless description. You have several things going on during the course of this story, so it can go many different ways. Better that than too "thin" of an idea, but then it means you really have to keep track of what all you were telling here. I actually use notes and sometimes an outline to keep it all straight in my mind. It was like juggling; you have to pay attention to all. I hope I'm not insulting you with obvious advice like this, but maybe it was helpful, and also, I am not big on other people telling you your writing was "too much this" or "you should do that," glibly. You should always remember that almost any type of book can become a best-seller, and almost everything has an audience.
As for how you should develop the story and where it should go: You have to search the story itself, inside you, as if it were a place and you were making explicit what was already implicit there, and only you knew what was there, rather than ask others what it might be. Be careful not to accidentally get it all crushed by people sending you this way and that, undercutting your whole meaning, and not even realizing what they were doing.
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