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Again, really nice consciousness of time’s passage. Though huge chunks are absent, we don’t miss them, and the central action moves forward at a gentle and consistent pace. Well done. As before, the diction is effective and engaging.
Thanks to Coleridge, one can’t encounter albatrosses in writing without a sense of foreboding. And the poor Mariner was plagued by only one bird—you’ve got a whole island full of them!
Again, a few trivial critiques:
I take it that these paragraphs immediately follow part one? If so, then you needn’t repeat the “four engines” phrase again unless the number is significant. I know, for example, that four is considered unlucky by some in Japan, but even if that’s the intended reference it’s not especially well served by the repetition here. It would be sufficient to note that one of the engines gives out (and possibly via a more evocative word than “stops”).
Although I love love love the image of the albatrosses, I think that the wording could be tightened somewhat. You could probably lose the sentence “We walk up to the Gooney birds” because the preceding and subsequent sentences flow well with each other. I like the sentence “they do not see us as a danger” because it’s nonspecifically ominous. “Gliding effortlessly” strikes me as mildly redundant, because “to glide” is more or less the opposite of “to exert effort,” and I confess that that sentence and the two that follow give me a bit of trouble. If read against the sound of the rest of the piece, these sentences seem a trifle out of tune. The “one thing is certain” bit comes across as particularly heavy, especially if, for the Sailors, “one day” comes before the beginning of the next paragraph!
I would strike “the unfriendly skies” as being discordantly colloquial and anachronistic (United’s “fly the friendly skies” campaign began in 1965). Even if it’s not a deliberate nod to the slogan, the reader can’t help making that connection. Unless we’re working on a time-traveling story, but that isn’t the vibe I’m getting…
The phrase “one hundred Sailors” basically appears twice in quick successsion; you could probably eliminate one of them without harm.
“Great sighs of relief” sounds a bit trite, like a theatrical response to dangers endured successfully. Also, part of me expects Sailors to be a little more… colorful in their expressions of relief (my apologies to any Navy personnel who might be reading this!)
But to heck with all of these quibbles. I like the feel and tone of the story so far, and these objections are, at worst, very minor.
Can you disclose the genre you’re aiming for? Is it to be a novel or a short story? And when will we see more?
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