Published: April 16, 2005 in the New York Times
ANDREA DWORKIN, an inspiration to so many women, died last week at the age of 58. Over the course of her incandescent literary and political career, she also became a symbol of views she did not hold. For her lucid work opposing men's violence against women, she lived the stigma of being identified with women, especially sexually abused women. Instead of being lionized and admired for her genius, instead of being able to earn a decent living as a writer, Andrea Dworkin was misrepresented and demonized. In the words of John Berger, she was "perhaps the most misrepresented writer in the Western world."
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Lies about her views on sexuality (that she believed intercourse was rape) and her political alliances (that she was in bed with the right) were published and republished without attempts at verification, corrective letters almost always refused. Where the physical appearance of male writers is regarded as irrelevant or cherished as a charming eccentricity, Andrea's was reviled and mocked and turned into pornography. When she sued for libel, courts trivialized the pornographic lies as fantasy and dignified them as satire.
Andrea Dworkin exposed the ugliest realities of women's lives and said what they mean. For trusting the knowledge of her own experiences of battering, rape and prostitution, for listening to harmed women, for standing up for women with humor - "now the problem with telling you what it means for me, bertha schneider, to be in an existential position is that I dont have Sartres credibility," she wrote in a short story - lyricism and brilliance, she was shunned. Critics and reporters often talked about her ideas without reading them. She was tortured by editors, some of whom she considered censors ("police work for liberals").
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Andrea Dworkin saw through male power as a political system - "while the system of gender polarity is real, it is not true," she said - and exposed the sexual core of male supremacy, the heart of the male darkness. She stood with, and therefore for, sexually abused women. So she was treated as they are treated, denigrated as they are denigrated. She was the intellectual shock troops, the artistic heavy artillery of the women's movement in our time. She took its heaviest hits.
http://www.nytimes.com/2005/04/16/opinion/16mackinnon.html?th&emc=th