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Edited on Thu Jul-21-05 02:49 PM by Dover
And its in discussions like this that our Western rational language comes up short, because the intuitive, unconscious realm does not share the same properties as our more rational mind that exists in "time". Saying that emotions are different or separate than our intuition is not entirely true, imo. Or at least it needs more clarification regarding feeling vs. emotion.
Some people experience their intuitive hunches with a feeling in their gut...sometimes quite acute. Or a wave of some feeling (not emotion), will come over them in an instant that tells them something is wrong...or right.
What seems to make intuitive hunches what they are, is the sense of knowing without knowing HOW you know. That seems to presume there is no emotional attachment to the answer you get. Nor is it possible to know WHY, in a rational sense, you know it to be correct.
BUT if one DOES have a stake in the outcome, if the outcome is connected to an inner desire, then we can probably make a whole list of rational reasons WHY...and that indicates its flavored by something other than pure intuition. And that 'interference' is usually emotion-based. That's probably why, when you're 'in love', you can so easily miss the intutive signals that might be sending out warnings or providing important information. Your desire gets in the way. And THAT (the emotion) is what renders it subjective, NOT the intuitive signals which are free and clear of that emotion. So intuition is not, in the pure sense, subjective. It is just operating from another place...one not bound to time so apparently capable of operating at tremendous speed.
A great artist will create a painting, and the choices of color, content, texture, line, composition, etc., is done very intuitively. Then when they are done the critics sweep in and want the artist to explain WHY they used this color, or made this figure male and that one female, or referenced a particular historic event, etc. So the artist must suddenly shift gears and respond from a place and in a language that was not where he/she was when the painting was made. So they can only approximate what their unconscious/intuitive self was doing and WHY.
Two examples from the book:
One is about a tennis pro who knew, when watching a player..any player...when they were going to get a double fault on their serve...with 99.9% accuracy. When the tennis pro tried to analyze how and WHY it was that he knew that, and tried to break it down in his mind, he could not. His unconscious was perceiving something much too complex and doing it too quickly for his rational mind to distinguish its parts. And it is this mysterious process that we do not entirely trust, nor the speed and simplicity of its accuracy given the complexity of the problem.
The other example of this rapid cognition was a quote from George Sorros's son, about his fathers success in finance: "My father will sit down and give you theories to explain why he does this or that...but I remember seeing it as a kid and thinking, 'at least half of this is bull'. I mean, you know the reason he changes his position on the market or whatever is because his back starts killing him. He literally goes into a spasm, and it's this early warning sign.". Clearly this is part of the reason why George Soros is so good at what he does: he is someone who is aware of the value of the products of his unconscious reasoning. But if you or I were to invest our money with Soros, we'd feel nervous if the only reason he could give for a decision was that his back hurt!
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