A poet and painter, William Blake is considered to be a man who gave back Britain a sense of identity, at a time when the French and American Revolutions were doing the same in those countries. But above all, Blake was a mystic, a visionary, with at least one foot in the Otherworld – if not more.
William Blake is probably most famous for the opening verse of his “Auguries of Innocence”: “To see a world in a grain of sand, And a heaven in a wild flower, Hold infinity in the palm of your hand, And eternity in an hour.” The verse formed one of the centrepieces of the Tombraider movie about Lara Croft at the height of her fame; it was probably an hour even Blake would not have been able to prophesize.
The verse was Blake’s rephrasing of “as above, so below”, expressing Blake’s adherence to the notion of correspondences. He shared with the Hermetics that if one could really see, everything was double, micro- and macro-cosmic. To this, he added, that “without contraries there is no progression”. Ackroyd begins his biography of Blake by stating that “in the visionary imagination of William Blake there is no birth and no death, no beginning and no end, only the perpetual pilgrimage within time towards eternity.”
The future, as the opening verse might suggest, was Blake’s obsession – but so was the past, as the future would restore the glories of the past. Blake not so much romanticised, but “mythicised” the past, especially Celtic-megalithic Britain and the Druids, a past that he had labelled “Albion” and which was largely seen as a Garden of Eden – but British in nature.
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http://www.philipcoppens.com/blake.htmlSome of his paintings: