|
Edited on Tue Jun-16-09 10:46 PM by onager
Especially when so much of art is just science in prettier clothes.
Music is firmly based in math and the science of generating frequencies which always behave the same way...IOW, they have repeatability, one of those science-y thingamajigs.
I know, big "duh." And at this point, the Cweative Brain Gestapo would probably start shouting about child prodigies or famous musicians who can't read music. Or primitive musicians.
But even all those know when they hit the wrong number of beats or a sour note. They're still applying the same principles, even if they do it intuitively. (With both sides of the brain.)
Artists, painters and sculptors also have to know an alarming amount of sciencish stuff about proportion, perspective, light, etc. etc.
Sorry for being Master Of The Obvious (again) but I was really thinking about this last night. I watched the 2006 movie Goya's Ghosts. One of Francisco Goya's many talents was engravings. The movie has a sequence that walks (quickly!) thru the process of creating and producing engravings in the 18th century.
That artistic process depended on a lot of technical/scientific know-how, including The Original Devil's Tool, the printing press.
Final Grump: the critics hated Goya's Ghosts. Fuck them. This movie has everything: the Inquisition, Natalie Portman playing 3 roles, Napoleon, King Carlos IV of Spain played by RANDY QUAID, Javier Bardem as a lecherous greedy Catholic Inquisitor who later morphs into a Secular Inquisitor. And movie re-enactments of those horrifying scenes Goya put into Disasters of War.
Director Milos Forman said he used the Inquisition as a metaphor for 2 systems he had lived under in Czechoslovakia: Nazism and Stalinist Communism.
As a bonus, he throws in a hint at another regime. Napoleon assures his troops that when they invade Spain, "the people will throw flowers at your feet and greet you as liberators!" To steal an Al Franken line, he left out one critical modifier before "flowers"--"exploding."
|