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TCM Schedule for Sunday, April 6 -- STORIES BY WILLIAM FAULKNER

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lavenderdiva Donating Member (1000+ posts) Send PM | Profile | Ignore Thu Apr-03-08 09:00 PM
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TCM Schedule for Sunday, April 6 -- STORIES BY WILLIAM FAULKNER
6 Sunday

6:30 AM King Solomon's Mines (1937)
African explorers enlist an exiled native chief to help them find a legendary treasure. Cast: Cedric Hardwicke, Paul Robeson, Anna Lee. Dir: Robert Stevenson. BW-80 mins, TV-G

8:00 AM Kim (1950)
Rudyard Kipling's classic tale of an orphaned boy who helps the British Army against Indian rebels. Cast: Errol Flynn, Dean Stockwell, Paul Lukas. Dir: Victor Saville. C-113 mins, TV-PG, CC, DVS

10:00 AM The Strongest Man in the World (1975)
A student discovers the key to super strength by mixing chemicals with his breakfast cereal. Cast: Kurt Russell, Joe Flynn, Eve Arden. Dir: Vincent McEveety. C-92 mins, TV-PG, CC

11:35 AM Short Film: On Location With "Fame" (1980)
C-12 mins,

12:00 PM The 3 Worlds of Gulliver (1960)
A physician lost at sea discovers lands populated by tiny warriors and giant kings. Cast: Kerwin Mathews, Basil Sydney, Jo Morrow. Dir: Jack Sher. C-99 mins, TV-PG, CC, Letterbox Format

1:47 PM Short Film: The Car That Became A Star (1964)
BW-10 mins,

2:00 PM The Rat Race (1960)
A musician newly arrived in New York takes in a taxi dancer. Cast: Debbie Reynolds, Tony Curtis, Don Rickles. Dir: Robert Mulligan. C-105 mins, TV-PG

4:00 PM The Big Sleep (1946)
Private eye Philip Marlowe investigates a society girl's involvement in the murder of a pornographer. Cast: Humphrey Bogart, Lauren Bacall, Dorothy Malone. Dir: Howard Hawks. BW-116 mins, TV-PG, CC, DVS

6:00 PM Shadow of a Doubt (1943)
A young girl fears her favorite uncle may be a killer. Cast: Joseph Cotten, Teresa Wright, Macdonald Carey. Dir: Alfred Hitchcock. BW-108 mins, TV-PG, CC

What's On Tonight: TCM PRIME TIME FEATURE: STORIES BY WILLIAM FAULKNER


8:00 PM Tomorrow (1972)
A lonely farmer cares for an abandoned mother and her infant. Cast: Robert Duvall, Olga Bellin, Sudie Bond. Dir: Joseph Anthony. C-103 mins, TV-PG, CC

10:00 PM The Reivers (1969)
A young man comes of age when he stows away in his grandfather's stolen car. Cast: Steve McQueen, Rupert Crosse, Mitch Vogel. Dir: Mark Rydell. C-111 mins, TV-14, CC, Letterbox Format

12:00 AM Sunrise (1927)
In this silent film, a farmer's affair with a city woman almost destroys his life. Cast: George O'Brien, Janet Gaynor, Bodil Rosing. Dir: F.W. Murnau. BW-94 mins, TV-PG

2:00 AM Contempt (1963)
A film production of The Odyssey causes friction in a marriage Cast: Brigitte Bardot, Michel Piccoli, Jack Palance. Dir: Jean-Luc Godard C-102 mins, TV-MA, Letterbox Format

4:00 AM Cat On A Hot Tin Roof (1958)
A dying plantation owner tries to help his alcoholic son solve his problems. Cast: Elizabeth Taylor, Paul Newman, Burl Ives. Dir: Richard Brooks. C-108 mins, TV-PG, CC, Letterbox Format, DVS

5:51 AM Short Film: King And Queen Meet The Stars (2000)
BW-3 mins,

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lavenderdiva Donating Member (1000+ posts) Send PM | Profile | Ignore Thu Apr-03-08 09:02 PM
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1. 'Cat On A Hot Tin Roof'
Edited on Thu Apr-03-08 09:34 PM by lavenderdiva
Cat on a Hot Tin Roof

What should have been an easy job for make-up artist William Tuttle, letting the natural beauty and sexuality of stars Elizabeth Taylor and Paul Newman shine through in the film version of Tennessee Williams' Cat on a Hot Tin Roof (1958), became a major challenge immediately following the tragic death of Mike Todd, Taylor's husband at the time. Tuttle suddenly had to erase all signs of grief and desolation in his lead actress. That the on-screen Taylor bore no resemblance to the tragic widow off-screen was a testimony to both the star's tenacity and the artistry of the MGM production team.

Cat on a Hot Tin Roof was a film book-ended by tragedy. MGM had bought screen rights to Williams' Pulitzer Prize-winning play shortly after it took Broadway by storm. Originally they planned to star James Dean as Brick, the former college football star sunk in alcoholic despair over the loss of his best friend, Skipper; fear that his feelings for Skipper were more than friendly; and a betrayal by his beautiful wife, Maggie. But it took so long to come up with a screenplay that would be true to Williams' sexually charged story while still getting past the industry's Production Code censors, that Dean never made it to the screen in the role. He was killed in a car crash after starring in only three films. Instead, the role went to Paul Newman, a rising young star who would inherit several roles planned for Dean.

The delays also cost MGM their original leading lady when Grace Kelly left acting to become Princess of Monaco. The timing was perfect for Taylor, however. She had just scored meaty roles in Giant (1956) and Raintree County (1957) and, at the urging of third husband Mike Todd, was eager to establish herself as a solid dramatic actress. Todd negotiated a new contract for Taylor with MGM that gave her the role of Maggie and her freedom from MGM in return for just one more picture at the studio where she had started her career more than a decade earlier.

Early in the shooting schedule, Todd had to go to New York to accept an award. He wanted Taylor and director Richard Brooks to accompany him, but she had a virus, and Brooks was too busy trying to bring the production in on time, so they stayed behind. Despite her illness, Taylor barely slept, waiting for Todd to call, as he had promised, each time his private plane touched down. By the time the news reached her that the plane had crashed, killing all on board, she had been up all night, desperate because he hadn't called her at all.

Todd's funeral in Chicago was a nightmare, as fans besieged the heavily sedated Taylor throughout the trip to and from the cemetery. Afterwards, she holed up in her rented home while Brooks shot around her. Three weeks later, she visited the set and asked if she could start work that day, claiming that "Mike would have wanted it this way." Brooks arranged the schedule to catch her at her best, shooting her most difficult scenes in the early afternoon. Seeing how much weight she had lost, he ordered real food to replace the prop food for a dinner scene, then required extra takes, forcing Taylor to start eating again.

Despite her personal pain, Taylor dug into the role with a vengeance, turning in one of her best performances. By the time the picture was ready to come out, however, she had another problem. During post-production, she had started an affair with Todd's closest friend, the very married Eddie Fisher. When his wife, MGM actress Debbie Reynolds, filed for divorce, the scandal almost destroyed Fisher's career. But it helped make Cat on a Hot Tin Roof the studio's biggest box-office hit of the year, with almost $10 million in box-office returns. When Taylor won an Oscar® nomination for her performance, Reynolds canceled plans to present at the ceremonies. Though Taylor lost to Susan Hayward for I Want to Live!, she still dominated coverage of the awards. And just to add a comic footnote to the proceedings, Fisher sang one of the nominated songs, the aptly titled "To Love and Be Loved."

Producer: Lawrence Weingarten
Director: Richard Brooks
Screenplay: Richard Brooks, James Poe
Based on the play by Tennessee Williams
Cinematography: William Daniels
Art Direction: William A. Horning, Urie McCleary
Cast: Elizabeth Taylor (Maggie Pollitt), Paul Newman (Brick Pollitt), Burl Ives (Big Daddy Pollitt), Jack Carson (Gooper Pollitt), Judith Anderson (Big Mama Pollitt), Madeleine Sherwood (Mae Pollitt).
C-109m. Letterboxed. Closed captioning. Descriptive video.

by Frank Miller
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