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I saw Return To Forever live in about 1974 when they played Royce Hall at UCLA. Al DiMeola had just replaced Bill Connors on guitar and I remember he was a real young looking guy on stage. At the time, their album "Where Have I Know You Before" was a great favorite of mine, kind of an Emerson Lake and Palmer on acid, in outer space, with a jazz edge. I had an 8-track (remember those?) of it and played it over-and-over-and-over again on my way to gigs. Vulcan Worlds was particularly terrific and a favorite of the live audience, but then every single track was terrific on that album, end-to-end. It's still one of my favorite albums. Live, DiMeola played just like he did on that album, very fast and clean. I have to say that it was very modal playing and kind of machine-like, but I think that's the sound Chick wanted to get after guitarist Connors left. I bought a couple of DiMeola's albums after that when he switched to playing an acoustic Ovation guitar and went for a quieter sound. My favorite album of Return To Forever was the earlier one with Airto on drums, Joe Farrell on sax, and Stanley Clarke on bass. Those were very interesting days, with Return To Forever, Weather Report, and the Mahavishnu Orchestra exploring new avenues in jazz and taking it into outer space. All three of the latter groups owe their influence to Miles Davis, as the groups all contained Miles Davis recording alums. Not only was Miles a great player, but he pushed jazz into new territory towards the latter part of his career. I probably should get hold of some of DiMeola's later work just to see how he's grown and matured after being so young and so famous (I think he was still a teenager when he started out with Chick Corea when I saw him). I'm really behind the times, but then there's so much great guitar playing out there now, it's absolutely frightening.
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