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Saw him back in around 1975 in a small room in Chicago. Just him, bass, and drums. The drummer only had a snare, kick and afloor tom, but about 30 kinds of cymbals and cup gongs. The bass player had a standup and a fretless electric through a Minibrute. Kirk played about 12 different types of reeded horns. At one point (mayb 25% into the show, but then pretty much the rest of the night), he played two at the same time (a soprano sax and oboe) in perfect parallel fifths, but at bebop speed. It really took a lot of focus to stay with where they were, because the music was highly fragmented and experimental.
Near the end of the show, he played three "saxes" at the same time. A tenor and then two sort of antique "pre-Sax" reeded instruments. One he just kept on a drone, while he played the other two or one and just switched it around. So, the drone note was a different note (one of the three open horns), and then played the other two.
Pretty amazing stuff. The Professor
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