I think it's called deus ex machina. Where the writer allows a machine to save they day. This time it's the TARDIS itself. Whatever happened to wit, intellectualism, and cleverness anyway? Just like American jobs, they're being replaced by machines that magically do all the work.
The idea Rose was Bad Wolf is immensely clever. Especially in its presentation, assuming you kept up with it... Setting up her own future. A+++ for the idea. However, the execution of the revelation is utterly laughable and doesn't tie in with the vast majority of BAD WOLF sightings. Just how does Rose-with-the-blurry-eyes get some brat to scribble the letters with chalk all over the place? Never mind the one who spraypaints it on the TARDIS? We don't need VCRs to tape and re-watch the incidents, especially for stuff so pointlessly obvious. Or get it written on Jack's big bomb, as I recall? Why does the Nestene Entity call the Doctor the Bad Wolf?!!! Great idea, but RTD (Russell T Davies, writer and producer) failed at the necessary continuity. Which is one of his problems as a writer, he needs a decent script editor - to say the very least.
But, in "The Parting of the Ways", and ~20 minutes in: Rose, Mickey, and Mum are in a restaurant. They have two camera shots of Rose. Behind Rose's head is a blue piece of paper. It starts to read BAD WOLF, but only four letters can be seen: B,A,D, and W. This isn't an ordinary bad wolf reference. RTD was slamming *. (Most of his other penned stories slam * as well, but they aren't as directly obvious...)
Eccleston vamoosed even before the 3rd episode aired,
claiming typecasting. However, he himself said he was just reading the lines and putting nothing of himself into the role. And it shows. Good riddance.
Many series 1 stories were poorly written and, worse, underachieving in scope. Some take the sci-fi slant and treat it as an irritant - not even something as banal as a plot device just to get them to all that melodramatic drivel. "Father's Day" being the most atrocious piece of pablum ever scribbled out; it doesn't even bother to keep continuity with its own sci-fi concepts. It just grabs you by your emotional genetalia and keeps strokin', hoping you don't think about how incoherent the writing is. Never mind the dues ex machina aspect that recurs; it's worse than a mere copout to have a machine save the day all the time. It's sloppy writing.
The stories are well produced, but very poorly written.
Indeed, the previous producer (John Nathan-Turner) is getting jerked around by fans while praising RTD. Yet I've seen many of the same problems being committed BY RTD.
And 5 years from now, the masses will see the new series for the mindless pablum it is. It doesn't present anything of intellectual intrigue, it just wants you to emote and do nothing else. It's trash television, little better than Maury Povich.
Series 2, from what I've read about so far, looks less than promising too. Far more (potentially) campy, far more fanwanky, and even Rose's dad returns because one story is a parallel universe one. (so forget about any sense of threat; they're all going to live at the end.) It's said that one or two actors from series 1 are also going to make a return visit (I know who and won't say.) A couple of Classic Series actors are also returning for a one-off. If all of this isn't fanwank, then I don't want to know what
is.
http://www.gallifreyone.com/ - their forums have a great amount of discussion as well.