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Edited on Sun May-24-09 01:41 PM by liberalmuse
I love it, too! I don't have quite the selection of jazz that you do, but have tons of Ella Fitzgerald, Louis Armstrong, Frank Sinatra, a decent smattering of very old blues artists from the 1930's & '40's (Billy Holiday, Robert Johnson, etc.), and classic rock staples: Deep Purple, Led Zeppelin, Black Sabbath, Dylan, Clapton, Hendrix, Arlo Guthrie, Grand Funk Railroad, ELP, Moody Blues, Sly and The Family Stone, The Supremes, Edith Piaf, Joplin (no one before or since can do it like Janis), The Who, Traffic/Blind Faith, The Beatles, The Mamas and the Papas, Queen, The Cowsills, Bowie, Santana, Crosby, Stills & Nash, Fleetwood Mac, ABBA, and sadly, only one Rolling Stones song, along with slightly newer stuff: Gogol Bordello, Dandy Warhols (everything), Brian Jonestown Massacre, Mad Caddies, Alice in Chains, Sublime, System of a Down, B-52's, Faith No More (they're more than just that one song), Green Day, Okean Elzy, Cowboy Junkies, Rusted Root, Bad Religion, Muse, The Cult, Dead Kennedys, The Killers, The Ramones, The Mars Volta, Tool, A Perfect Circle, Kula Shaker, REM, Jeff Buckley, Siouxsie and the Banshees, The English Beat, The White Stripes/Raconteurs, 311, XTC, Elysian Fields, The Vines, Radiohead, The Specials, Rage Against The Machine. Guilty, Unrefined Sugary Pleasures: Boston, Linkin Park, Lily Allen, Avenged Sevenfold, KC and The Sunshine Band, Kim Wilde, The Monkees, Goldfrapp & Mindless Self Indulgence. I'm probably getting old, but the new stuff I'm hearing on the radio is starting to sound very generic. Other than Muse, what's happened to composition and the use of unique harmonies?
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