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Edited on Mon Jul-25-05 10:50 AM by Tallison
in two days, finished it two hours ago at 2am, and am still unable to sleep. I feel stunned, touched, and at the risk of sounding precious, somewhat spiritually reawakened. Now, I was not raised Christian, and I've never considered myself Christian in much of a conventional sense. That said, after two decades of exploring different religious traditions during which I earned a B.A. in religious studies, at one point joined the Catholic Church and at a later one became active in a Buddhist temple, I've remained strongly enticed by and allured to a Jesus as Christ-centered sense of spirituality. Despite this, my issues with various dogmatic and doctrinal tenets of the RC Church and most Protestant denominations have prevented me from ever before fully identifying myself as a Christian.
To digress for a moment, I recall a salient point Joseph Campbell made in his book "The Power of Myth" regarding what a difficult time some have in identifying meaningfully and personally with theistic images of perfection. I don't have a copy of the book by me from which to quote, but he wrote something to the effect that it's through personal flaws and shortcomings that humans ultimately evince their vulnerability within a community and by extention their need and suitability for receiving compassionate love. In other words, imperfections often evoke love and compassion in others; the extent to which a figure is lovable is in some sense proportional to the number and magnitude of his/her flaws. Campbell supposed this condition accounts for the difficulty many have in achieving an emotionally gratifying relationship with a perfectly conceived God.
"The Last Temptation" has me now wondering to what extent Campbell's point has been operative in my own struggle to believe, when for lack of persuasive scientific reasons to in this secular age, it's the emotional ones that become most compelling. And what an emotionally compelling and provocative film I found "The Last Temptation," far more so than "The Passion," which I think is chiefly due to "Temptation"'s portrayal of Jesus as an anguished, self-doubting, identity-conflicted being for whom salvation and redemption never appeared certain until almost the moment of death. That is suffering, and one which renders Christ much more relatable and by extension lovable to me. Yes, lovable. Never before considered the potential for such feelings within my relationship to a Higher Power before. I'm so impressed. Beautiful job, Kazantzakis and Scorsese...
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