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Edited on Sun Feb-27-05 06:48 PM by sfexpat2000
(And remember that's nearly free so, fwiw.)
In the fifties, treatment for people like Plath was considerably more than uneven. It was nearly nonexistent and swathed with layers and layers o' shame.
So, it makes sense to me that if we get, from that very early novel, a romanticized view of suicide, we're probably reading right. I frequently idealize stuff I have to do to survive in some way. (Maybe read that one again :) )
Also, after Plath's death, her literary executor actually rearranged her last manuscript so the group of poems makes her seem as crazy and destructive as possible. Her own plotting was changed. If you read it, as I did, in the form she intended, it is a different book. Fragile, sure but with moments of strength, hopefulness and acceptance. Her executor was Ted Hughes. I have seen the book with his introduction and I have seen copies of her manuscript. No the same work by any means.
Finally, as far as I know, there are at least three schools or "cults" around Plath. One dismisses her as a self-indulgent selfish person. Another, romanticizes her death by poetry, degrading both Plath and her poetry. Yet another tries to put her life in its context while moving through her work. Obviously, I belong to the last.
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