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Though Dumbledore was not my problem. I'm okay with Gambon. Dumbledore in book 4 isn't perfectly calm, capable and rising above it all - that's where we start seeing the transition that all children make in growing up from thinking the adults around them are infallable to realizing that adults are humans too. I think Gambon nailed that and Harry reacted well to it. I also didn't see him as nervy; more that he knew on gut instinct that something was not right and that he knew he had the pieces to figure it out, but that it was not coming together. Having been in such situations of having to condense meaning from the vapor of nuance, I saw how Gambon was playing it. (I don't like the more grizzled beard, however, but that's me.) I think what can be perceived as nerves or dilly-dallying was more a sense that "my old friend Moody isn't acting entirely like my old friend Moody, and my old friend Barty Crouch is behaving oddly, too, and I don't know why."
What I hate is how the director slaughtered the book - it's like they weren't even thinking about the big arcs for book 5 and intents were scrambled all over the place.
Examples: At the World cup, Our Beloved Crew is supposed to be in the box with the Malfoys because that's one of the perks of Mr. Weasley's job. It was supposed to be an outing that shows that the ministry employees are just as valued as those with money. Instead, by not showing that, it again messes up what should have been a fun occasion. And the riot, leaving a burned out field of tent carcasses but a pristine Harry? Uh, no. And where the hell are the house elves? They're critical not only in 5, but in 6, and we have to have the Winky/Dobby contrast to Kreacher. This wouldn't have taken much screen time. Killing Mr. Crouch? Why? there's no reason for it. Not killing him is more useful to the overall arc of the full plot.
Where the hell is Percy? That's a huge plot issue in 5 and 6, and yet we never see the set-up of Percy being all caught up in his job to the point where he will renounce his family over it. The foundation for that is all built up in GoF, but I don't think Percy was even on stage.
We never see Rita Skeeter as a bug. Um, hello, but that's what Hermione is going to use to get her to write for the Quibbler... that story arc just got dropped. Newell introduced Rita and left her unresolved. He did the same with Flitwick - Flitwick is all over this movie, but has few lines and just seems to be shoved into the shot because he happened to be on set. Newell did this many times - he kept bringing the Chekovian gun on stage in act one, but he never fired it.* It makes the film seem incomplete and poorly conceived. (Or maybe I've been watching too much Joss Whedon, who is really picky about that sort of internal consistency....)
I liked Moody but the Moody-Snape conflict never showed up, and that one is more important than just the fact that in books 5 and 6 they have to rub each other badly; Crouch-as-Moody would be openly hostile to Snape because he sees Snape as a deserter; Moody-as-Moody would be equally openly hostile to Snape because he would see Snape as (rightfully) untrustworthy. (I still think that casting Alan Rickman as Snape was a terrible mistake because it has made so many people fall in love with Snape... I'm perfectly willing to consider him an abusive, evil tempered, sadistic rat-bastard who would sell out his own Muggle blood for revenge for stupid high school crap even if he wears Alan Rickman's face.)
The kids were fine. I didn't like GoF much because 14 year old boys are hard enough to cope with when you're 14, but really difficult at more than twice that. (That said, I'm not looking forward to the angsty, hormonally challenged Harry and Ron of OOP.... I'm so glad they got past that in HBP...) Malfoy is turning into a right ugly little snot, I'll be interested in seeing how well the Cho story goes (she's cute).
I'm sort of bothered that Hogwarts seems to be the only coed school in Europe - that wasn't the case in the book. I did not like the Beaux Batons entrance. It was ... icky. Durmstrang's was better (fitting) but still weird.
The ball was a waste of film. It could have been cut and should have been cut to no more than 5 minutes of sceen time. (It currently runs about 13 minutes all told.) It doesn't advance the film much other than to show the basis for the the future Ron-Hermione romance (which never worked for me anyway - I don't see what she sees in him...) It was nice to see Neville as the Belle for once, but those minutes could have been used so many other places. (The set was gorgeous, though.)
I hope they get someone better for OOP. Newell was just too scatter-shot.
*For those without the classical drama education, the playwright Anton Chekov had a maxim for staging that said basically if you're going to introduce a plot element in the story, you have to use it later in resolution. Basically he's saying to not leave loose ends.
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