In the last two weeks of August, my family and I journeyed to darkest "red state" America, fearlessly braving the dangers of hordes of rampaging teabaggers, to discover the splendors of Grand Teton and Yellowstone National Parks.
NOTE: Whoever it was here who railed against "photographic clichés" should probably leave the thread right now, because virtually every location in Grand Teton has long since become a photographic cliché...but one well-worth encountering for yourself.
To start out, what has been described as "the most-photographed beaver pond in America," with the Cathedral Group reflected in the waters of the Snake River at Schwabacher Landing.
Several of the barns along "Mormon Row" -- first, the John Moulton barn...
...and the Thomas Alva Moulton barn...
...and one I call
Little (Out)House On The Prairie. ;-)
One of the iconic views of the Tetons is from the Snake River Overlook, made famous from the photo by Ansel Adams. Ironically, this is a case where nature has trumped nature photography, as the trees on the slope below the overlook have grown since Adams captured his image sixty-eight years ago, now completely blocking the lower bend of the river. In not too many more years, they will have blocked any view of the river at all, but, for now, this is what remains.
Of course, that didn't stop me from trying my own version of the Adams image...
...but, given the circumstances, I found a more interesting use of the cloudy sky (and the reflection off the river) near sundown.
Here is Mount Moran (no jokes, please) and the waters of String Lake.
And more images of Moran, this time from Oxbow Bend, first before dawn...
...and at sunrise...
...as well as a final shot at sunset.
On my last morning of shooting, I returned to Schwabacher Landing, and this time did find something original -- the standard sunrise view, but with a lenticular cloud atop the Tetons. I've seen dozens of images from this location, but never one with a lenticular before -- and I might, for once, be the only one to have captured such an image, since, amazingly enough,
there was not a single other photographer there that morning.
The story continues
here.