Erik Sofge expresses what I've felt all along about Ang Lee's Hulk (thank god! I'm not alone!). Yes, the movie was messy, and the comic book frame editing was one of the biggest mistakes in movie editing history, but there's a lot of green gold in this movie, you just have to put aside your expectations of what a movie based on a comic book character (and a pretty unconventional one at that) should be about. I plan on seeing the new Hulk movie soon, so I'll try and post my thoughts on that one too.
http://www.slate.com/id/2193478/"The new Hulk movie took in $54.5 million this weekend, enough to put it at the top of the box office and likely enough to confirm Hollywood's suspicion that the problem wasn't the Hulk, it was Ang Lee. But was Lee's movie really that bad? Or was it just not what audiences were expecting? There's a familiar rhythm to comic-book movies, from the moment the hero embraces his newfound potential to the inevitable confrontation with his arch-enemy. But Lee wasn't interested in going through the motions, and instead of adhering to the usual conventions of the genre, he subverted them. Hulk doesn't really look or feel like a superhero movie. But that's what's great about it."
"But Lee's movie also incorporated elements rarely seen in a comic-book adaptation, and this is where he really lost viewers. The script presents a series of relationships—between Banner and his ex-girlfriend Betty, between Betty and her estranged father, and between Banner and his own murderous father—that are all strained and ultimately doomed. There are no benevolent nuggets of wisdom from the likes of Spider-Man's saintly Aunt May or Batman's martyred father. In Hulk, family ties are the alpha and omega of emotional trauma."
"Elsewhere in the movie, Lee uses visual effects not to blow up city blocks or show off a spectacular feat of acrobatic fisticuffs, but to find moments of unsettling, alien beauty. Banner dreams of luminescent jelly fish hovering in desert mesas as desolate as the surface of Mars. In the movie's most surreal scene, the Hulk passes out in midair after falling off of an F-16. Lee cuts to a completely domestic moment, a daydream in which Banner is shaving in the bathroom. The Hulk then shows up in the mirror, wrenching Banner back into the present. More polished superhero movies like Iron Man or Spider-Man don't waste frames on scenes so full of raw, haunting emotion, and ones that don't advance the plot."