TIME: Spielberg's Munich

[question everything]

http://www.time.com/time/magazine/printout/0,8816,1137679,00.html

The first and most important thing to say about Munich, Steven Spielberg's new film, is that it is a very good movie--good in a particularly Spielbergian way. By which one means that it has all the virtues we've come to expect when he is working at his highest levels. It's narratively clean, clear and perfectly punctuated by suspenseful and expertly staged action sequences. It's full of sympathetic (and in this case, anguished) characters, and it is, morally speaking, infinitely more complex than the action films it superficially resembles--pictures that simply pit terrorists against counterterrorists without an attempt to explore anyone's motives and their tragic implications.

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But -- and this is why Munich works so well -- the movie is not primarily about that Munich. It is about the aftermath, in which the Israeli government, with Prime Minister Golda Meir's full endorsement, mounted a secret war of revenge against the murderers. In one of the movie's most crucial lines, she says, "Every civilization finds it necessary to negotiate compromises with its own values." That negotiation--also carried out in the increasingly troubled mind of Avner Kauffman, leader of the Israeli hit squad on which the movie concentrates (there were several)--raises Spielberg's film above the thriller level, granting it real, often poignant, distinction.

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Since June, when filming began, the movie has been surrounded by rumors, criticism and suggestions that Spielberg was too pro-Israel to make a fair movie on the subject. The filmmakers responded by keeping the details of the movie very quiet. Reporters were not allowed to visit the sets in Malta, Budapest, New York and Paris, and only a few actors got the complete script--many didn't even know what the whole movie was about. The shoot took three months, a quick turnaround for a movie to be released Dec. 23. That lessened the chance of leaks, as did the fact that most of the crew members were loyal, tight-lipped veterans of past Spielberg movies. When TIME saw the movie, it had just been finished. There had been none of the usual test, press or studio-executive screenings; the movie's star, Eric Bana, had not even seen it. And there has been little advance publicity; Spielberg has done no interviews about the movie with anyone but TIME (see page 70).

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There is an entirely fictional scene in the movie in which Avner and his Palestinian opposite number meet and talk calmly, with the latter getting a chance to make his case for the creation of a homeland for his people. That scene means everything to Kushner and Spielberg. "The only thing that's going to solve this is rational minds, a lot of sitting down and talking until you're blue in the gills," says Spielberg. Without that exchange, "I would have been making a Charles Bronson movie--good guys vs. bad guys and Jews killing Arabs without any context. And I was never going to make that picture."

[coffeenap]

1. My cousin was on the helicopter--I can't decide whether to see the

movie or not. :cry: