http://www.time.com/time/magazine/article/0,9171,1533437,00.htmlMovies aren't banished straight to video because they're bad. A reasonably smart marketing exec with a splicing machine and a decent song can make a huge profit out of bad. If some guy at home could cut together that YouTube trailer where The Shining is a touching father-son comedy, then the Fox marketing division can make Date Movie look good in a 30-sec. TV spot. That's why studio marketers are better at hoodwinking the customer than those two guys Huck and Jim picked up on the river. The biggest sin a director can commit isn't making a bad movie, it's making one that doesn't make a good ad.
That helps explain the strange fate of Idiocracy, a sci-fi comedy starring Luke Wilson and directed and co-written by Mike Judge, the guy whose spotless track record includes Beavis and Butt-head, King of the Hill and Office Space. Idiocracy may not be a bad movie, but every ad and trailer the studio put together for it tested atrociously. After sitting around finished for almost a year, the movie opened two weeks ago--sort of. Fox released it in a few theaters in seven cities (not including New York City), with no trailers, no ads, no official poster and no screenings for critics.
The problem is, Idiocracy is so aesthetically displeasing--its vision of the future so purposely, gaudily, corporately ugly--that even showing a second of it made people refuse to see it. Judge's unslick look might work for hand-drawn cartoons of hicks or a movie that takes place in poorly lit cubicles, but it's not so great for a sci-fi action comedy. It just doesn't look or feel like Talladega Nights or Dodgeball. Even though Fox probably made a million dollars' worth of trailers and ads, they empirically knew from testing that every dollar they spent on ad time for Idiocracy would be wasted.
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Still, abandoning Idiocracy seems particularly unjust, since Judge has made a lot of money for Fox. Plus, Idiocracy isn't a bad movie: a lot of the reviews are actually positive. The idea is an extension of Judge's previous work mocking the dumbing down of society: perfectly average Luke Wilson and Maya Rudolph are frozen until 2505 and awaken to a world so degraded by mass consumerism that they are now the smartest people in the world. Crops are dying because they're being irrigated with an electrolyte-filled sports drink that has "the taste plants crave." Costco takes up miles of space and has greeters emotionlessly repeat, "Welcome to Costco. I love you." The movie is packed with top-shelf versions of the dumb-guy jokes that have sustained sitcoms for years, which you'd think would be great stuff for a trailer.