By Ann Hornaday
Washington Post Staff Writer
Tuesday, January 9, 2007; Page C01
When Mike Judge's highly anticipated futuristic satire "Idiocracy" opened and promptly closed in a few cities last fall (it never played Washington), the blogosphere lit up. Did Twentieth Century Fox, the film's distributor, intentionally dump the movie? Did it have a hand in what most considered the film's chief flaws (a distracting narration, gratuitous expository sequences)? Put simply, did Fox do to "Idiocracy" what it had done to Judge's 1999 comedy "Office Space," and was the new movie eligible for similar cult status?
We may never know precisely who did what to whom and why (although a hilarious sendup of Fox News in the movie may not have helped). What we do know is that "Idiocracy" appears on DVD today, and once again it seems that Judge, best known for TV shows "Beavis and Butt-head" and "King of the Hill," has gotten the fuzzy end of Fox's lollipop. Like "Borat's" dark twin, "Idiocracy" indicts American culture with a combination of scathing humor and barely concealed rage, as Judge projects what the country will look like 500 years from now. His dystopian vision includes avalanches of trash, a U.S. government that has been purchased for corporate sponsorship by a sports drink, and a citizenry that, through demographic reverse Darwinism, has become congenitally fat, lazy, stupid and violent.
Angrier and far less forgiving than "Office Space," Judge's "Idiocracy" doesn't possess the same cult potential, if only because few will be eager to see themselves in the filmmaker's jaundiced mirror. Still, as an example of smart, stingingly funny polemic, "Idiocracy" is essential viewing. If the world is going to hell in any number of handbaskets -- as Judge so acutely demonstrates that it is -- you might as well hitch a ride in his.
"Idiocracy" tells the story of an Army private and major slacker Joe Bowers (Luke Wilson), who in 2005 is drafted to take part in a confidential hibernation program; the Army finds a female counterpart in a prostitute named Rita (Maya Rudolph), and she and Joe are put into individual "pods" before being sedated for a year.
MORE >>>>
http://www.washingtonpost.com/wp-dyn/content/article/2007/01/08/AR2007010801715.html