The band is not recording or contracted these days. Justin Currie is playing with two former-Simple Minds in The Uncle Devil Show. That group is a bit jokey but the songs are still brilliant if you love evocative, well crafted pop a la Crowded House, Squeeze.....with some sly nods to the 60s-70's tossed in.
Here's some info. Enjoy!
B-)
So Many Souls To Change
As the sun rises over Mexico
And sets on the African plains
On a tourist jet, the in-flight magazines
Sets out your rate of exchange
While the unhealed and homeless are wondering
If they will ever feel safe again
They give you drinks and show you sailors
Dancing in the warm New York rain
So many souls to change
So mother and child while travelling to Delhi
Have to jump off a burning train
While the puppet rich bible class third world society
Meets to discuss it's slogan campaign
You are complicit in this conspiracy
You are unable to get free
They send the rich ones to University
And the rest get comics and TV
So many souls to change
You are shocked with shots of corpses
And seduced by scenes of greed
So your overloaded conscience
Goes out looking for some kind of relief
And the church, the government and charity
They collectively agree
You cannot simply print more money
Just to save some poor country from disease
So many souls to change
So when you die and go to heaven
Looks like there could be hell to pay
As the saints and angels ask how anyone
Could treat mortals that way
Sandeep’s Del Amitri Page
Fan’s selection of brilliant couplets and links to lyrics for every album (+ other Del sites)
http://www.users.globalnet.co.uk/~choh/dels.htmThe Del Amitri Backpage with lotsa links
http://www.spiritone.com/~darren/delamitr.htmOfficial DelAmitri Home Page
http://www.delamitri.com/(Essay from the liner notes of 20th Century Masters “Best Of Del Amitri”) (For other better compilations see “Hatful of Rain” -- collection of A-sides or “Lousy With Love” --collection of B-sides, or “weepies” as Justin would call them)
"WE'VE ALWAYS PUT SONGS BEFORE GESTURES."
Del Amitri leader Justin Currie once said of his band's musical philosophy. Indeed, the durable Scottish combo, based around the longstanding nucleus of singer/songwriter/bassist Currie and guitarist Iain Harvie, has long avoided faddish trend-hopping and other transient ephemera. Instead, they favored more s substantial and enduring values, merging lyrical insight and melodic uplift to create effortlessly accessible music of sonic subtlety and emotional depth.
Del Amitri began life in Glasgow, Scotland in the early 1980's, playing nervously energetic jangle-pop that echoed the youthful spirit of such '80s Scots as Orange Juice and Aztec Camera. Their debut indie single, "Sense Sickness," stirred up considerable acclaim following its 1983 release. And tours, opening for the likes of The Fall and The Smiths, helped build a buzz that landed the still-unknown Del Amitri on the cover of the influential British music weekly Melody Maker. The hoopla eventually led to the band to sign with Chrysalis Records, which in 1985 released Del Amitri's eponymous first album. Despite its abundance of energy and intelligence, the disc sold disappointingly, and Chrysalis dropped the band.
With the help of a network of stateside admirers, the label-less Del Amitri mounted a two-month, shoestring, whistle-stop tour of the U.S. They played borrowed guitars, slept on fans' floors and often busked to raise money for their travel expenses. With their enthusiasm recharged by the American adventure, the group returned home to work on new material, and they eventually won a new deal with A&M Records in 1987.
After a lengthy public absence, Del Amitri reemerged with the 1989 release of Waking Hours, which unveiled a reinvented sound that added a tougher rock base to the band's gentle pop sensibility. The harder-edged approach, which balanced a wide range of acoustic and electric textures, was well-suited for the mature introspection of Currie's new songs as well as his newly confident vocal delivery. Although it only scraped the lower reaches of the U.S. Top 40, the soulful "Kiss This Thing Goodbye" received sufficient radio play and MTV exposure to substantially raise Del Amitri's American profile. Other highlights included the thoughtful "Hatful Of Rain," the driving, witty "Stone Cold Sober" and the bittersweet protest number "Nothing Ever Happens."
The Next Del Amitri album, 1992's Change Everything, was recorded by the Pixies' producer Gil Norton, and it featured a more streamlined, sophisticated exploration of the folk-rock style staked out on Waking Hours, with rewarding results. "Always The Last To Know" was the band's most sparkling pop confection to date, while the poignant, pointed "When You Were Young" and the sly, slinky "Just Like A Man" displayed an impressive emotional range.
1995's Twisted featured a pared-down sound that largely dispensed with the horns, strings and other sonic frills that had dotted the band's arrangements in the past. The album also yielded the band's first U.S. Top Ten hit with the breezy, effervescent "Roll To Me." While that tune demonstrated Currie's considerable skills as pop tunesmith, the forthright, heart-on-sleeve love songs "Driving With The Brakes On" and "Here And Now" gave a more expansive account of his talents.
Del Amitri's 1997 effort Some Other Sucker's Parade reunited the band with Waking Hours producer Mark Freegard, and further refined Twisted's pared-downed direction, with an emphasis on shorter songs and a more electric rock vibe. That strategy manifested itself magnificently in the infectiously jangly "Not Where It's At," whose failure to become a hit on par with "Roll To Me" remains a mystery.
Del Amitri's longevity and reliability were underlined by the consistently high quality of its previous collection that added a fine new track, the persuasive soul ballad "Cry To Be Found." British fans also got the punningly-titled Lousy With Love, a companion compilation of the band's U.K. b-sides.
Two decades down the road from their D.I.Y. origins, Justin Currie, Iain Harvie and company continue to make worthy, heartfelt music while maintaining a loyal listenership on both sides of the Atlantic. The twelve tracks on this collection offer a strong sampling of the qualities that make Del Amitri such a timeless treasure.
Scott Schinder
New York City
November 2002