Artists such as Milton Avery, Stuart Davis, Mark Rothko, Willem deKooning and Jackson Pollock were just a few of the thousands of artists on the WPA Project who have achieved worldwide recognition. Many, many other artists, who were also on the project, such as Aaron Berkman, Jules Halfant, Max Arthur Cohn, Norman Barr and Gertrude Shibley are in museum collections, exhibitions and are in many private collections, but are not as yet nationally known.
W.P.A. was the abbreviation for the WORKS PROGRESS ADMINISTRATION, a government funded arts program which had an artists division. The WPA was originally known as the P.W.A.P. and it existed in the mid 1930's to the mid 1940's. The artists who participated in the WPA ranged from figurative and academic, all the way to abstraction and surrealism, in addition to almost every other school of painting, sculpture and the graphic arts including prints and posters. The WPA was an idea that George Biddle presented to his close friend and classmate, President Franklin Delano Roosevelt. Biddle was a talented painter who felt the plight of the unfortunate and poor arts community during the Depression. He prevailed upon F.D.R. to create a program for this group of creative people. The W.P.A. program and FEDERAL PROJECT NO. 1, as it was called, included many projects, among which were the Art, Music, Theater and Writers Projects. Government funding of the arts community continued until the mid 1940's, when the WPA was disbanded.
The Artists Project was organized across the United States. The New York WPA had the largest membership of all the projects in the United States. Over 5,000 artists throughout the nation were involved. New York accounted for about one-half of the national figure. An eligibility process was organized, whereby the artists interested in participating on the WPA would apply to a panel of their peers, They first had to prove they were in financial need unless they were in a supervisory job. There, the artists would submit their work with any publicity, resume or exhibition records that they had. On the basis of the artists training experience and ability, the artists then received assignments. The pay scale ranged from $23.00 a week to approximately $35.00 a week. The artists waited on line each week to receive their checks and this waiting line very often became an opportunity for the artists to socialize with and meet one another.
New York, the heads of the committees to determine the artists eligibility were Burgoyne Diller for murals, Girolamo Piccoli for sculpture, Ernest Limbach and Gustave Von Groschwitz for graphics and Alexander Stavenitz for teachers. There were assistant artists who aided the muralists or architectural sculptors. There were also models and framemakers. The project also employed art restorers and publicists for the artists. In addition, there were the photographers such as Berenice Abbott, Walker Evans and Ben Shahn who developed their photography skills on the WPA project.
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http://www.fineartstrader.com/wpa.htmThe most far-reaching of the public works programs was the Works Progress Administration (WPA), established in 1935 Video Interview Stan Jensenby executive order and funded by Congress that same year.
The goal was to put unemployed people to work building projects like highways, airfields, public buildings, planting trees and doing rural rehabilitation. Workers were paid $15 to $90 a month, depending on the job. As Stan Jensen remembers it, most WPA workers on the plains got the going rate of $1.00 a day.
Eventually, Congress appropriated money specifically for the WPA. The first year's payroll totaled $4,880,000,000. That's almost $5-billion – an amazing amount of money in the late 1930s. The WPA funds took people off the relief roles and gave them productive work.
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During its eight-year life from 1935 through 1943, the WPA employed 8.5 million workers. They worked on 1.4 million projects, including 651,087 miles of roads, 124,031 bridges, 125,110 public buildings, 8,192 parks and 853 airport landing fields.
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