performance as Trudy Kockenlocker (how'd that get past the censors?) is one of the greatest comedy performances ever. (In fact, how'd the whole hilarious, subversive film get by the censors?) And I'll bet I'm the only one here with Betty Hutton MP3s on my iPod — I have "I'm Doing it for Defense", "Orange Colored Sky", "Stuff Like That There" and "He Says Murder, He Says".
For those who've never seen "The Miracle of Morgan's Creek" and want to check it out:
"Some are born great, some achieve greatness, some have greatness thrust upon 'em." Firmly in the latter category is Norval Jones (Eddie Bracken), a feckless wartime 4-F who must stand by helplessly as his sweetheart Trudy Kockenlocker (Betty Hutton) entertains every visiting GI in town. One morning, a hung-over Trudy labors under the apprehension that, the night before, she'd married a soldier named Ratzkywatzky or something. Evidently something had happened that night, for soon Trudy discovers that she's pregnant. Hiding this information from her bombastic policeman father (William Demarest), Trudy begs Norval to tell the world that he's the father. He agrees, but only after secretly wedding Trudy under an assumed name. Complications and disasters pile up thick and fast, and before long Norval is facing arrest on a variety of charges. Providentially, Trudy gives birth to sextuplets-and suddenly Norval is a national hero! This vintage Preston Sturges farce plays so fast and loose with the censorial restrictions of mid-1940s Hollywood that critic James Agee was moved to comment that, "the Hays office must have been raped in its sleep." As usual, Sturges populates his cast with steadfast members of his stock company-- including, in guest roles, Brian Donlevy and Akim Tamiroff, the stars of his previous film, The Great McGinty. Originally filmed in 1942, Miracle was held from release from two years, not because of censor problems but because its parent studio, Paramount, was overloaded with product.
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In 1944, with the restrictive Hays Code very much in effect, the mere fact that Preston Sturges was allowed to make The Miracle of Morgan's Creek was remarkable in itself. After all, a comedy about a girl who gets drunk at a party with a bunch of soldiers and wakes up the next morning hung over and pregnant, with no memory of who the guilty party might be (except that his name sounded like "Ratzywatzy"), hardly conformed to Hollywood's ideal of womanly virtue. But while the film's audacious content was out of the ordinary in its day, its lasting importance comes from the fact that it's a very, very funny movie. Sturges' superb ear for dialogue is in evidence throughout, as is his knack for bringing out the best in his cast: Betty Hutton gives the best and funniest performance of her career, while Eddie Bracken's work is rivaled only by his turn in Sturges' other 1944 masterpiece, Hail the Conquering Hero. If the premise seemed daring, Sturges gleefully heaped absurdity after absurdity upon it, to the point where even Norval and Trudy are barely able to keep track of their own hare-brained scheme to retain Trudy's good name (as well as that of Mr. Ratzywatzy, wherever he is). While the movie can be accused of playing Trudy's unwed pregnancy for laughs, she certainly seems painfully aware of the gravity of her situation, no matter how funny the circumstances it puts her through. And the scene between Trudy and Norval shortly after she's given birth is sweet and unexpectedly moving, as, after a genial assault on propriety, we're reminded in all sincerity of the simple power of love between two people. In Sturges' best movies, people do ridiculous things but somehow land on their feet; his characters rarely fell farther, or landed with more unexpected aplomb, than in The Miracle of Morgan's Creek.
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