|
Here's the deal. I'm not a Mel fan. I might have seen Mad Max back when, I don't remember. But I certainly didn't see the cop buddy ones. I saw his Hamlet and thought it was all right, or so-so, or same'ol'. Last year saw Gallipoli on t.v., and it was bigger than just him, was not a Mel movie so to speak. O.K., saw Braveheart and The Patriot, and started wondering about the violence.
I went out of my way to see The Passion because of the brouhaha and was one of the first here on DU to call it nothing more than a snuff film.
So I saw Apocalypto, and I gotta say that it was spellbinding. I don't know how or whether the Mayas were as bloodthirsty as in the movie or whether Mel conflated them into the Aztecs. But what MOVIE has much historical credibility?
Now, I lambasted The Passion because of its being a tool for the Fundies. I despise Mel's Da, and my growing suspicion is that Mel shares more of Da's philosophy than he lets on. And the blood-soakingness of anything Mel has control over is a bigger concern all the time.
Well, there are MANY flicks I've seen only snatches of, never the whole thing. But I was prepared to LUERVE this one, being a Classics devotee (not an ERUDITE one, mind you).
And being unfamiliar with the comics source, still, I was somewhat prepared by leafing through the accompanying illustrated deal-ly at the bookstore.
My gripes: It was DARK (like the comic). Whatever happened to the sun drenched Greek isles? (I say this despite Homer's "wine dark seas".) It ought to win something for cinematography and/or art direction. It *did* have the look of the comics.
The other gripe: It was clash-clash-clash, slo-mo ad nauseum. Yeah, beautiful to look at.
It's like looking at a painting that moves a little. There's action, then there's ACTION. There's chase, then there's CHASE. For example, in Jurassic Park, where they drop in a few characters then the rest of the movie is being chased by big lizards-------not my type of movie. Contrast that with the much maligned Apocalypto, where the CHASE is the entire movie, but the personal love story is what propels the whole thing. (I can't think of a comparable analagy for the actinon vs ACTION angle.)
I'll probably give it a chance again someday. Not soon. On DVD, on a LONG day.
For the record, the other movie I walked out of was Barefoot in the Park in 1967-8. Shrill squabbling in a "romantic" couple, bleah!!1 Can't stand to argue, can't stand FLAMING!!1 Here's what I thought about Apocalypto, in light of his latest, his YELLING at Maya critics: Here's the deal. I'm not a big Mel fan, but used to have a mildly pleasant impression of him. I might have seen Mad Max back when, I don't remember. But I certainly didn't see the cop buddy ones. I saw his Hamlet and thought it was all right, or so-so, or same'ol'. Last year saw Gallipoli on t.v., and it was bigger than just him, was not a Mel movie so to speak. O.K., saw Braveheart and The Patriot, and started wondering about the violence.
I went out of my way to see The Passion because of the brouhaha and was one of the first to call it nothing more than a snuff film.
So I saw Apocalypto, and I gotta say that it was spellbinding. I don't know how or whether the Mayas were as bloodthirsty as in the movie or whether Mel conflated them into the Aztecs. But what MOVIE has much historical credibility?
Now, I lambasted The Passion because of its being a tool for the Fundies. I despise Mel's Da, and my growing suspicion is that Mel shares more of Da's philosophy than he lets on. And the blood-soakingness of anything Mel has control over is a bigger concern all the time.
All disclaimers aside, I'm saying that Apocalypto was compelling in its thin storyline. I mean it was basically all a chase. And I have NO patience for almost all chase films. I'll say again that I didn't see the last 30 seconds with the European While males arriving as a message that they were the "saviors". I saw it as a stunning plot device, a deus ex machina, because the bloodthirsty killers were only stopped by one thing before, an eclipse, and only something earth shattering in their world view would stop them in their tracks, such as the sight of the ships and the utterly ALIEN men.
Now, Mel's drunken rant on Jews was undoubtedly wrong. But, while I have my doubts as mentioned about whether he actually DOES share his Da's views, I know that alcohol is mind ALTERING. Try driving or TYPING here under the influence and see what makes sense.
As for this current episode: I still have a reservoir of the "good Mel" if there ever was one. While watching the Oscars and hearing the 3 nominations for Apocalypto, I was sad at thinking what a creative person feels when their extensive good work is overshadowed by something extraneous to it.
And digging my hole deeper: We Dems (actually ALL partisans) tend to cater to---or PANDER to---our constituencies and paint rosy pictures of what we want to hear about them, and saying what THEY want to hear. I don't KNOW what the Maya were like. In fact, to a degree I thought GIBSON's personalizing and individualizing the story was an anachronism and that he was projecting our historically modern narcissism back on them. So it goes back to the beginning of this post, that almost NO movies are historically accurate, and so far as that goes, people who want a different movie SHOULD make their own.
|