Chris Matthews Revises History on His Opposition to the Iraq Invasion During his 'Let Me Finish' Segment
By Heather
Video at link~
Chris
Matthews apparently thinks that no one is going to go back and look at the things he actually said when he had a chance to speak out about the United States invading Iraq after watching this bit of revisionist history in his "Let Me Finish" segment on Hardball.
Media Matters' Eric Boehlert wrote a piece for Salon back in 2006 which is an excerpt from his book Lapdogs: How the Press Rolled Over for Bush. I thought I'd share some of what he wrote about Chris Matthews in that article.
Lapdogs: Cowardly and clueless, the U.S. media abandoned its post as Bush led the country into a disastrous war. A look inside one of the great journalistic collapses of our time:
At one point while making his way through the press questioners, Bush awkwardly referred to a list of reporters whom he was instructed to call on. "This is scripted," he joked. The press laughed. But Bush meant it was scripted, literally. White House spokesman Ari Fleischer later admitted he compiled Bush's cheat sheet, which made sure he did not call on reporters from some prominent outlets like Time, Newsweek, USA Today, or the Washington Post. Yet even after Bush announced the event was "scripted," reporters, either embarrassed for Bush or embarrassed for themselves, continued to play the part of eager participants at a spontaneous news conference, shooting their hands up in the air in hopes of getting Bush's attention. For TV viewers it certainly looked like an actual press event.
That was not the night's only oddly scripted moment. Before the cameras went live, White House handlers, in a highly unusual move, marched veteran reporters to their seats in the East Room, two-by-two, like school children being led onto the stage for the annual holiday pageant. The White House was taking no chances with the choreography. Looking back on the night, New York Times White House correspondent Elisabeth Bumiller defended the press corps' timid behavior: "I think we were very deferential because ... it's live, it's very intense, it's frightening to stand up there. Think about it, you' re standing up on prime-time live TV asking the president of the United States a question when the country's about to go to war," she told students at Towson University in Maryland. "There was a very serious, somber tone that evening, and no one wanted to get into an argument with the president at this very serious time."
It's unlikely viewers expected "an argument" that night in the East Room. But what about simply asking pointed questions and firmly requesting a direct response? On March 6, even that was beyond the media's grasp. The entire press conference performance was a farce -- the staging, the seating, the questions, the order, and the answers. Nothing about it was real or truly informative. It was, nonetheless, unintentionally revealing. Not revealing about the war, Bush's rationale, or about the bloody, sustained conflict that was about to be unleashed inside Iraq. Reporters helped shed virtually no light on those key issues. Instead, the calculated kabuki press conference, stage-managed by the White House employing the nation's most elite reporters as high-profile extras, did reveal what viewers needed to know about the mind-set of the MSM on the eve of war.
And for viewers that night who didn't get a strong enough sense of just how obediently in-step the press corps was with the White House, there was the televised post-press conference analysis. On MSNBC, for instance, "Hardball's" Chris Matthews hosted a full hour of discussion. In order to get a wide array of opinion, he invited a pro-war Republican senator (Saxby Chambliss, from Georgia), a pro-war former Secretary of State (Lawrence Eagleburger), a pro-war retired Army general (Montgomery Meigs), pro-war retired Air Force general (Buster Glosson), a pro-war Republican pollster (Frank Luntz), as well as, for the sake of balance, somebody who, twenty-five years earlier, once worked in Jimmy Carter's White House (Pat Caddell).
And then there's this with his interview with Jim Lehrer.
more...
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